Postmaternal,Postwork and the Maternal Death Drive

ABSTRACT

The term ‘postmaternal’ has recently emerged as a way to articulate the effects of neoliberalism on the public devaluing of caring labour [Stephens, Julie. 2011. Confronting Postmaternal Thinking: Feminism, Memory, and Care. New York: Columbia University Press]. This term suggests a valorisation of values associated with care and mothering that have traditionally been gendered and rely on a heterosexist matrix for their intelligibility. Marxist feminist writers during the 1970s struggled with the question of the particular form of care that reproduction entails, and this feminist archive has been recently extended to a discussion of ‘post-work’ [Weeks, Kathi. 2011. The Problem with Work: Feminism, Marxism, Antiwork Politics and Postwork Imaginaries. Durham: Duke], in which calls for the valuing of unpaid work as a viable form of labour have been reanimated. In this article I examine the relation between these two analytic categories – ‘postmaternal’ and ‘postwork’. Both categories require that we re-think some of the most trenchant issues in feminist thought – the sexual division of labour, the place of ‘reproduction’ in psychic and social life, and the possibilities for a new feminist commons.     

Looking for Lela Simone: Singin’ in the Rain and microhistories of women’s sound work behind the scenes and below-the-line in Classical Hollywood Cinema

ABSTRACT

Despite her contribution to some of classical Hollywood’s most renowned musicals, the largely unknown Lela Simone exemplifies one of Hollywood’s ‘anonymous movie workers’ (Leo Rosten) working in the shadows of film history. As music co-ordinator for MGM’s Arthur Freed Unit (1944–1957), Simone’s exacting technical supervision of sound and music recording and post-production ensured films such as The Pirate (1948), On the Town (1949), An American in Paris (1951), Singin’ in the Rain (1952) and Gigi (1958) achieved perfect synchronisation and polished production values. Drawing on archival sources this article engages with the methodological and conceptual challenges of making visible the labour of women, like Simone, working below-the-line in technical roles. Taking Simone’s work on sound and music in the iconic ‘Singin’ in the Rain’ number as a case study, the article illustrates how a micro-historical focus can bring a previously invisible realm of women’s labour, and agency, into view.     

The origins of severance pay in unemployment compensation: a comparative analysis

ABSTRACT

This article contributes to an under-developed field in the social policy literature through an analysis of the origins of severance pay (SP)/redundancy pay schemes and, more specifically, their first designs in nine countries—Canada, the United Kingdom, Germany, Austria, France, Italy, Sweden, Spain, and Portugal. It has two objectives: first, to identify the key actors who shaped the design of the first SP schemes; second, to explain variations in terms of their mode of regulation, generosity and coverage. By building on the state-centric and power-resource perspectives, it identifies the conditions under which the state had an autonomous role vis-à-vis organized labour in SP reforms and the circumstances under which organized labour was the main actor. When the state was the key actor, it preferred legislation for the regulation of SP either to legitimize its apparatus in a ‘revolutionary’/‘potentially revolutionary’ context or to facilitate structural transformations of the economy in a ‘reformist’ context. When organized labour was the key actor, its preference was to regulate SP through ‘only collective bargaining’ or ‘legislation’, subject to the degree of unionization. Lastly, the paper argues that key actors (the state or organized labour) took into account the distributive structure of existing UI schemes when designing the coverage and generosity structure of the first SP schemes during the post-war era.     

Permanent precarity: capital and labour in the Central African copperbelt

Abstract

This article provides a new history of mine capital and labour in the ‘Central African Copperbelt’ – the cross-border mining region of the Zambian copperbelt and Haut Katanga in the Democratic Republic of Congo. It doing so, it seeks to overcome the limitations of earlier structurally minded analysis rooted in modernist notions regarding the transformative capacity of mining capital and a ‘new’ African working class. Building on post-structuralist challenges to such assumptions, the article demonstrates the precarity, unevenness and uncertainty of the actually existing copperbelt economy and society. The comparison of the two copperbelt regions enables consideration of differential outcomes as a way of rethinking apparent inevitabilities. Analysis of how ideas about these mining societies were generated and circulated helps explain how dominant ways of understanding copperbelt capital and labour relations became established and continue to inform nostalgia for a ‘golden age’ of mining-fuelled prosperity at odds with historical reality.     

Money after Blockchain: Gold,Decentralised Politics and the New Libertarianism

ABSTRACT

Blockchain technologies are central to what has been described as a new ‘smart social contract’. With blockchain, individual cryptographic identity becomes the basis for new forms of money and for a whole suite of restructured social, political and financial transactions. But what do these developments signal for feminist engagements with the money economy? The transparency and pseudonymity that the blockchain provides has been welcomed as a ‘feminist weapon’. But the decentralised technology also legitimises many longstanding assumptions of libertarianism, especially competitive individualism, naturalised social inequality and the stability of value associated with the gold standard. Drawing on popular culture texts, Goldfinger and The Mandibles, this article considers this history, examining the gendered, racialised and sexualised discursive practices that attend representations of gold along with the ‘metallism’ surrounding blockchain-based cryptocurrencies in the contemporary conjuncture. By claiming to represent non-negotiable certainty derived from technology/nature rather than social convention, the fantasy of fundamental value returns, together with related associations of essentialism and authenticity, but anchored in this new context in the technocratic authoritarianism of FinTech. This is part of the background for the ‘new libertarianism’ whose ascendency now overshadows the neoliberalism that has been the focus of critical attention for some decades.     

The economic role of middle-class women in Victorian Glasgow

Abstract

It has long been recognised that working-class women in the nineteenth century participated in waged labour, albeit dependent on marital status, stage in family life cycle, and locality. Middle-class women's economic role has been less fully explored, although it has been acknowledged that they played an informal, ‘hidden’ role in the economy. This article examines the extent of middle-class women's economic activity and independence by looking in detail at a residential area of Glasgow in the period 1850-1914. The authors demonstrate that women could negotiate the parameters of a gendered and limited labour market, the legal constraints on their property rights, and social constraints on their economic freedom, in order to achieve considerable economic autonomy and influence     

Back to the factory: the continuing salience of industrial workplace history

ABSTRACT

Factories remain significant sites of employment, crucial to capitalism. In the twentieth century, scholars registered achievements in documenting their history, but since the late 1980s, and for a generation, the field lost impetus within labour history although insights continued to accumulate through work in adjacent disciplines. The factory has not featured on the agenda of ‘transnational’ and ‘global’ labour history, but we suggest that it can and should contribute to that broader global project, reinvigorating labour history, not least by contributing a dimension close to workers’ everyday experience.     

Beyond Liberalism: Marxist Feminism,Migrant Sex Work,and Labour Unfreedom

In this article, I use a Marxist feminist methodology to map the organisation of migrant sex workers’ socially reproductive paid and unpaid labour in one city and country of arrival, London, UK. I argue that unfree and ‘free’ (sexual) labour exists on a continuum of capitalist relations of (re)production, which are gendered, racialised, and legal. It is within these relations that various actors implement, and migrant sex workers contest, unfree labour practices not limited to the most extreme forms. My analysis reveals that many migrant sex workers have very limited ‘freedom’. This is in stark contrast to the classical liberal claim of sex worker rights activists and academics that the vast majority of migrant sex workers are free, and therefore not coerced, exploited or trafficked. I then consider whether the emerging labour approach to trafficking could help achieve ‘freedom’ for migrant sex workers. Advocates argue that anti-trafficking efforts must, and can, be refocused on extending minimum labour and social protections to all vulnerable workers. I argue that this approach is disconnected from material interests and history. Rather, migrant sex workers, sex worker rights activists, and all migrant and citizen workers and activists globally must collectively organise against ‘labour unfreedom’ and hence for meaningful control over their labour and lives.     

Cindy Sherman in a New Millennium: Fashion,Feminism, Art and Ageing

ABSTRACT

If feminism and the fashion industry were once seen as adversaries, given how the strictures of Simone de Beauvoir in The Second Sex (1949) permeated so much of second wave feminism, a consideration of ‘fashion’ is now central to contemporary feminist scholarship. But just as the earlier critique of fashion seemed finally to have been supplanted, certain basic arguments around dress and makeup nevertheless resurfaced within contemporary feminism. The current neoliberal climate has led to the ever-increasing consumption of ‘fashionable’ goods, provoking unease and encouraging the contested ‘protectionist discourse’ within feminism to shield young women from just such excesses. Meanwhile, the fashion world itself, arguably more powerful than ever, has across the last twenty years continued a process of legitimising itself through its various modes of alliance with the art world; it has even hijacked elements of feminist practice in the pursuit of publicity. This article suggests that the fashion industry and contemporary feminism are nonetheless alike in one significant respect: neither have properly engaged with the needs of an ageing population. It is an omission that this article will seek to examine through a discussion of the recent ‘portraits‘ of Cindy Sherman, an artist of great interest to feminist scholars, in whose earlier work there was a discernible ‘anti-fashion’ element. Now ‘fashionable’ herself, a leading figure in the global art world, she has collaborated with the fashion industry in rather different ways. Her ‘portraits’ of 2012, in which she reconfigured herself as imaginary Manhattan socialites in or beyond middle age, and a later series, exhibited in 2016, where she appears as a series of ageing, anonymous ‘movie stars’, reveal more general ideological tensions surrounding the representation of women, the ageing process and the fashionable ideal. It is the dissection of these tensions that underpin this article, for while Sherman’s work has been the subject of academic debate across a forty year period, her use and critique of the ‘fashionable ‘ image has not been examined alongside an exploration of the expanding activities of the fashion industry itself; nor have her recent images of ageing women been examined within this more general context.     

Elizabeth’s Pious Pilgrimage; or the Ghost in the Garden

Abstract

This article is an analysis of the ‘Pious Pilgrimage’ section of Elizabeth and Her German Garden from a psychoanalytical perspective, focusing on the uncanny sense of the spectrality of the living and its connection to gender identity. It also offers an intertextual reading, placing the passage in the context of ‘the ghost in the garden’ as a recurring trope in the English novel. When ‘Elizabeth’ returns to the garden of her childhood, she experiences two spectral encounters: an imagined glimpse of her grandfather’s ghost and an encounter with a doppelgänger in the shape of a real child with her own name, who makes her feel as if, like Shelley’s Magus Zoroaster, she has met her ‘own image walking in the garden’. She is not the only figure in English literature to do so: behind the kitchen garden where Elizabeth has her encounter we can feel the presence of the kitchen garden in Great Expectations, where Pip sees a prophetic vision and encounters a double in the form of a ‘pale young gentleman’. This same encounter with ‘the ghost in the garden which is not a ghost’ resurfaces in a number of later texts, of which the author discusses two instances: Frances Hodgson Burnett’s The Secret Garden and David Profumo’s The Weather in Iceland. These can be taken as positive and negative conceptions of the spectrality of the living: von Arnim’s ‘ghost in the garden’ is balanced between the two in a passage treading the boundaries of comic realism and Gothic horror.     

Peasant inclusion in global value chains: economic upgrading but social downgrading in labour processes?

This paper identifies impacts of value chain inclusion on labour from a social sustainability perspective. It focusses on the tasks, livelihoods and subjectivities of Amazonian flood plain peasants (ribeirinhos) who collect açaí for sale to an expanding market. The ‘logic’ of ribeirinho chain inclusion is explored using a combination of labour process and human security indicators. While household income benefits can be significant, gains may be threatened by monoculture trends and local power structures. Human security indicators suggest further caution. Whilst ribeirinhos remain very ‘flexible’ workers, chain engagement entails insecurities, as highlighted by their variable views of collectivity and contradictory positions with respect to sustainability. Sustainable chain prognoses require a deeper understanding of agents' means and of the preferred choices and voice of those working at the beginning of chains.     

‘The film gone male’: women and the transition to sound in the British film industry 1929–1932

ABSTRACT

Taking its cue from Dorothy Richardson’s essay, ‘The Film Gone Male’ written for the critical, Left-wing British film publication Close Up in 1932, this article looks at women working in the British film industry during the transition from silent to sound cinema between 1929 and 1932. It considers the effects of new sound technology on women’s roles in front of and behind the camera from production to reception and critique. It also questions whether sound technology further marginalised women as producers of cinema and interrogates whether synchronised sound masculinised film as Richardson asserted.     

Article 23(4) Trade Union Rights and the United Nations policy of devolution on labour relations

ABSTRACT

Article 23(4) of the Universal Declaration of Human Rights states ‘Everyone has the right to form and to join trade unions for the protection of his interests.’ This article documents the global legislative history of Article 23(4) trade union rights from its original drafting to interpretation by international labour standards. The history includes debates on the fundamental principles of trade union rights, the decision by ECOSOC to ignore a call to establish a permanent UN Commission on Trade Union Rights, the devolution of authority from the United Nations to the International Labour Organization, how ILO international law experts framed trade union rights as a subset of the freedom of association, and the treatment of labour relations policy, including compulsory union membership, that resulted under international human rights norms. The history is discussed as one that confines standards of policy on labour rights in the global political economy and has particular implications for the discourse on labour rights as human rights.     

Legal Form and Temporal Rationalities in UK Work–Life Balance Law

Abstract

This article attempts to crack open the temporal assumptions in the goal of ‘balancing’ work and family, as it is mobilised in UK law. Within studies of gender and labour, ‘balance’, as a concept and a politico-legal objective, is worthy of much more scholarly attention than it has received to date. In the UK context, balance is understood as a means of achieving equilibrium, both at the level of the labour market and within the context of unpaid care. Specifically, mobilising the short horizon of a ‘reckonable present’, balance creates a paradigm or topos through which dilemmas of value and care can be played out and resolved. The specific qualities of the UK's right to request flexible work, for its part, indicate that law's temporal qualities can have specific regulatory functions, shifting scale and reframing responsibilities. By looking closely at legal technicalities, we can discern much about the conceptual logic that affects many of us through influential regulatory strategies. The political imperative of analysing work–life balance might, in this way, require us to return not only to time, but also, strangely, to legal form.     

No Longer Curiously Rare but Only Just within Bounds: women in Scottish history

This article examines the development of women's history in Scotland since the first conference of the International Federation for Research in Women's History (1989). The title is taken from a 1997 article in Scottish Affairs (issue 18), in which Esther Breitenbach asked whether the ‘curiously rare’ women in Scottish history was a case of the ‘suppression of the female in the construction of national identity’. Thus, this study focuses on key themes in the modern period of that history, notably education, the military, politics, labour, religion and literature. It concludes that while the place of women in Scottish history has indeed been asserted since 1989, and different questions are now being asked of the source material, women are still only slowly being integrated into mainstream studies.     

Is bonded labour a bound category? ‐Reconceptualising agrarian conflict in India

This article discusses the position of ‘agrarian struggle’ within agrarian labour relations in India. It is argued that local labour relations and conflicts should be understood within the context of a wider balance of power between the concerned groups, regionally as well as locally. When examining local relations from this perspective, a number of well‐established positions on agrarian conflict can be challenged. The interrelationship between patron‐client relations on the one hand, and (what is here labelled) class‐caste struggle on the other is reassessed, and it is found that they are not mutually opposed. The categories ‘unfree’ and ‘bonded’ labour relations are also reassessed. Such relations do not seem to necessarily entail the dominance normally expected. ‘Bonded’ labour relations may, in fact, not hamper collective initiative among the landless, whereas the ‘ general political dominance of the landed groups certainly may. The article is based on fieldwork data from Uttar Pradesh.     

Housework,Wages and Money

Abstract

According to a range of authors and popular commentators, the post-Fordist socioeconomic order has produced a new category of female labourer, the ‘female principal breadwinner’. This article opens out this category of worker to critical scrutiny. We suggest that while the very idea of the female principal breadwinner is open to all manner of existing lines of feminist critique, beyond this it forces a confrontation with a number of issues vital to feminist analyses of transformations to women's labour—both waged and unwaged—in contemporary financialised post-Fordism. We pursue two issues in particular. First, transformations to the labour of social reproduction—including transformations to the measurement and valuation of domestic labour—and second, the financialisation (and shifting capacities) of wages specifically and money more generally. We suggest that if transformations to women's labour are to be fully grasped and understood feminist theory must renew and rethink its analyses of domestic labour, wages and money.     

Anna Kavan’s Ice and Alan Burns’ Europe After the Rain: Repetition with a Difference

Abstract

While Anna Kavan’s work has been largely ignored by critics, the responses of those who have noticed her have been dominated by two assertions. First, many of those wishing to assert her importance and power have seen her work as sui generis, the result of her isolation from the surrounding literary culture. Second, numerous feminist critics have seen her work as reproducing the worst effects of patriarchal domination. This article, through a reading of Kavan’s final novel, Ice (1967), challenges both of these assessments of Kavan. It suggests that, if we notice and try to account for the similarities between Ice and a novel published two years earlier, Alan Burns’ Europe After the Rain (1965), Kavan’s novel can be read as challenging patriarchal domination through a bold and innovative reworking of the reader’s ‘suspension of disbelief’.     

Mary Wollstonecraft’s divergent attitudes towards trust

ABSTRACT

Mary Wollstonecraft is increasingly being recognized as a philosopher who made a noteworthy contribution to moral and political philosophy. Her work not only encompassed political treatises, such as the now well-known A Vindication of the Rights of Woman, but also fiction. This article demonstrates how Wollstonecraft’s work comprised three main ways of engaging with trust, namely distrust, virtuous trust, and open trust. It puts these three forms of trust into context with Wollstonecraft’s ambivalent relation to the 18^th-century culture of sensibility. Moreover, Wollstonecraft’s open form of trust is compared with the 20^th-century Danish theologian and philosopher K. E. Løgstrup’s conception of trust. Løgstrup regarded genuine trust as a spontaneous, basic phenomenon that was not rooted in moral reasoning. While there are some similarities between Wollstonecraft’s open trust and Løgstrup’s understanding of trust, Wollstonecraft ultimately reinforced the value of ‘an educated heart’, namely the idea that the feelings of the heart should be cultivated by reason. Accordingly, this article offers some insight into how we may perceive Wollstonecraft’s strong rejection of Edmund Burke’s ‘inbred sentiments’, that is, Burke’s belief in innate, benign moral instincts.