论志愿精神的伦理意蕴与动力来源

以"奉献、友爱、互助、进步"为主要内容的志愿精神,是内蕴于志愿行动中的思想内核,是志愿行动在精神层面的提炼与升华。志愿精神包含着重要的道德体验和浓厚的伦理关怀,体现为丰富的责任伦理、人本伦理和服务伦理,使志愿行动表现出"为己"和"利他"相统一并重在"利他"的行为价值导向。志愿精神的动力来源,宏观层面来源于政策制度环境的保障,中观层面来源于志愿社会组织的勃兴,微观层面来源于公众公共精神的觉醒。     

the ambivalence of colonial desire in Marguerite Duras's <Emphasis Type="Italic">The Lover</Emphasis>

This paper analyses the notions of desire and metissage that circulate in The Lover, Marguerite Duras's autobiographical novel about an illicit and scandalous sexual relationship between an adolescent French girl and a wealthy Chinese man set in 1920s French colonial Siagon. Rather than celebrate The Lover as a tale of a young French girl's resistance to colonial sexual mores and regulations, this paper seeks to excavate how that resistance both affirms and challenges the racializing and racist dynamics of colonial society. In particular, I explore the intertwining discourses of colonial sexuality, gender, race, and Orientalism that both produced and constrained the specific forms of desire and subjectivities available to and taken up by European women in French Indochina, and that circumscribe the story that Duras is able to tell about the French girl's love affair in The Lover. I suggest that Duras's portrayal of the French girl as a sexually autonomous female subject – one whose erotic relations are not bound by the dictates of colonial patriarchy – is made possible only by the ambivalent structure of the girl's desire, by her simultaneous attraction to and repulsion of the racialized others of the French colonies.     

Performing breastfeeding: embodiment,ethics and the maternal subject

Many feminist sociologists would agree that most breastfeeding research to date has been primarily undertaken from the perspective of medical and public health discourses. While there is evidence of a shift in research on breastfeeding to qualitative studies that focus on the lived experiences of breastfeeding women, this article addresses a number of concerns remaining in the literature surrounding breastfeeding. First, it questions the absence of breastfeeding as a legitimate philosophical topic, and, as a corollary, the invisibility of breastfeeding women as moral or ethical subjects. Second, by drawing on Michel Foucault's account of ethics and Judith Butler's notion of performativity, it is suggested that breastfeeding is best conceptualized as a gendered and embodied ethical practice rather than an aspect of one's being. Finally, this materialist approach to theorizing breastfeeding is discussed in relation to the Lucy Lawless poster that was released in Aotearoa New Zealand to launch World Breastfeeding Week in August 2002.     

Vulnerability and Ontology

The question of the possibility of an anti-foundationalist approach to ethics has come to the forefront in recent discussions in the humanities. Two questions dominate these discussions. The first is how we can define agency, the necessary ground of ethical action apart from a transcendental subject. The second is how we can define a secure foundation for ethical judgements without universals. A relativistic ethics seems, by definition, futile. I take up both of these questions here with reference to the work of Judith Butler. I argue that in her post-Gender Trouble work Butler has defined an agent, an ‘I’, that is neither a social dupe nor a transcendental subject but, rather, both discursive and material. This ‘I’ provides the basis for Butler's turn to ontology as well as her analyses of vulnerability, precarity and cohabitation. These conceptions form the basis of her ethical position. I examine Butler's central argument that the material/ontological facts of human life necessitate the equal treatment of all human beings. In conclusion, I question whether Butler's position provides a sufficient basis for an antifoundational ethics. I argue that Butler is headed in the right direction but has not yet achieved her goal.     

troublesome threesome: feminism,anthropology and Muslim women's piety

This article critically addresses recent anthropological and feminist efforts to theorize and analyse Muslim women's participation in and support for the Islamic revival in its various manifestations. Drawing on ethnographic material from research on young Muslims engaged in Islamic youth and student-organizations in Norway, I investigate some of the challenges that researching religious subjectivities and practices pose to feminist theory. In particular, I deal with how to understand women's religious piety in relation to questions of self, agency and resistance. Engaging with Saba Mahmood's work on The Politics of Piety, this article suggests ways of understanding the young women's religious engagement that move beyond the confines of a binary model of subordination and resistance, coercion and choice. Grounding the discussion in ethnographic analysis of how young Muslim women in Norway speak about the ‘self’, I argue that critically revisiting feminist notions of agency, autonomy and desire, is necessary in order to understand the kinds of self-realization that these women aspire to. However, the article argues against positing Muslim conceptions and techniques of the self as ‘the other’ of liberal-secular traditions. Rather, I show how configurations of personhood, ethics and self-realization drawn from Islamic and liberal-secular discursive formations inhabit not only the same cultural and historical space, but also shape individual subjectivities and modes of agency.     

women developing women: Islamic approaches for poverty alleviation in rural Egypt

Through an ethnographic account of a social reform project led by Islamic activist women in the village of Mehmeit in rural Egypt, this article analyses women's Islamic activism as a form of worship. Women's experiences of activism are at the centre of this account, which highlights their attempts to economically and socially develop a destitute rural community. Their development ideals mirror the embedded principles of liberal secular modernity and offer a tangible example of the concomitance of these so-called binaries of religion and secularism in women's religious activism. Normative assumptions regarding religion and secularism as two binary constructs have largely dictated a monolithic view of women who engage in Islamic activism as religious subjects primarily devoted to a spiritual, internal faith. Persistent models of religious selves engaged in a continuous exercise of self-fashioning towards a fixed ‘religious ideal’ overlook the complexity and seamlessness of the desires that animate these subjectivities. Moreover, it is inaccurate to represent participants in Islamic activism as homogenized into one overarching group that adheres to standardized religious membership criteria. Discourses of modernity have also constructed separate spheres of what is defined as religion and secularism. Yet, these spheres, in practice, are not always so neatly demarcated as they are in modern principles. Societies shaped by the historical and temporal dynamics of colonialism, modernization, secularization and nation building projects present more complex and heterogeneous forms of subjectivities in their members. This article illustrates how a theoretical concomitance of religion and secularism opens up new possible considerations of women's activism in Islamic movements. The author argues that the desires and subjectivities of Islamic women that inform their activism are ultimately linked to the historical emergence of secularism and state modernization schemes aimed at transforming Muslim subjects into modern citizens of liberal democracies.     

论马克思劳动伦理思想中的道德批判与政治经济学批判

马克思以“批判”代替“道德说教”的方式来建构其理论版图，道德批判和政治经济学批判构 成了其劳动伦理思想的双重向度。马克思一方面用宗教批判及法哲学批判的方式完成了对道德层面与实践层面 的再次反转，另一方面从宗教和道德批判入手，进而延伸到政治经济学，实现了对资本主义的科学批判。道德 批判作为政治经济学批判的起始点和内在意蕴，自始至终都体现了历史唯物主义的基本立场，政治经济学批判 下的伦理指向亦是如此。二者所指向的目标都是实现人的自由与解放，具有高度的内在一致性。马克思因批判 维度的转换而将其劳动伦理思想推向了更深刻、更全面、更丰富的论证阶段。     

A heroic male and a beautiful woman. Teemu Mäki,Orlan and the ambivalence of the grotesque body

In this article two performances are analysed, Finnish artist Teemu Mäki's video performance The Good Friday (1989) and French artist Orlan's performance of metamorphosis The Re-incarnation of Saint Orlan or Image(s)/New Image(s) . The concept of heroic masculinity is problematized through Mäki's masochistic performance. Orlan undergoes cosmetic surgery in the name of art. Her performances are treated as a cultural statement about gender and as a visualization of the contemporary, commercial ideals of female beauty. This interpretation is framed by the art theoretical concept of the grotesque. In the article the grotesque is approached through the works of Mikhail Bakhtin, Wolfgang Kayser and feminist appropriations of them by Mary Russo and Rosemarie Garland Thomson. Through these works the grotesque is defined as a concept by which phenomena are described in a state of transformation, a state in which they no longer fit into any fixed category. The ambivalence of the performances is stressed in this analysis. The grotesque is defined as a thoroughly political term. The politics of the grotesque is such that the term can be used to indicate that phenomena - bodies, genders and sexualities - are not as natural and self-evident as we would often like to think.     

马克思劳动时间观的经济伦理透析

马克思劳动时间观从现实的人出发,凝聚经济伦理内核;面向生活世界,形成经济伦理向度;通过冷峻的现实揭露,对资本主义社会进行深刻的经济伦理批判;以辩证的逻辑演绎,体现出科学的经济伦理思维;通过时空交融的探索,对劳动时间予以经济伦理认知,实现了对以往劳动时间理论的经济伦理超越,因而能够从经济生活事实中揭示资本的伦理冲突和道德形态,具有丰富的经济伦理内涵。从经济伦理角度解析马克思劳动时间观,可以揭示马克思劳动时间观所固有的属人的价值禀赋和经济伦理特质,呈现马克思劳动时间观的真实性态。     

The presence of absence: Beyond the “great goddess” in Ana Mendieta's Silueta Series

Ann Liv Young's The Bagwell in Me, which premiered at The Kitchen in NYC, 2008, continues this experimental dance-theater artist's characteristically brutal, anatomizing exposure of the performers’ bodies through both sexual and violent narratives. This analysis examines how Young's construction of a certain type of subject on the stage challenges the subjectivities of her audience members, provoking moments of potential eruption. By setting up the possibility of abjection through the ambivalent dynamic of attraction and repulsion, and bombarding the audience with tropes that engender a push toward Georges Bataille's concept of “radical formlessness,” I argue, Ann Liv Young's performance places notions of the stable subject – composed of a “whole” body that is coherently organized and intelligibly coded in terms of sex, gender, sexuality and race – into question. Not only will this analysis explore how viewing oral sex as choreography speaks to Bataille's discussion of radical formlessness through decontextualization and the maddening effects of staring at the sun, but it will also interrogate how the same strategy of radical formlessness could have entirely different performative effects regarding the threat of bodily coherence and taxonomy within the narrative of historical racial violence.     

the ethical ambivalence of resistant violence: notes from postcolonial south Asia

In the face of mounting militarism in south Asia, this essay turns to anti-state, ‘liberatory’ movements in the region that employ violence to achieve their political aims. It explores some of the ethical quandaries that arise from the embrace of such violence, particularly for feminists for whom political violence and militarism is today a moot point. Feminist responses towards resistant political violence have, however, been less straightforward than towards the violence of the state, suggesting a more ambivalent ethical position towards the former than the latter. The nature of this ambivalence can be located in a postcolonial feminist ethics that is conceptually committed to the use of political violence in certain, albeit exceptional circumstances on the basis of the ethical ends that this violence (as opposed to other oppressive violence) serves. In opening up this ethical ambivalence – or the ethics of ambiguity, as Simone de Beauvoir says – to interrogation and reflection, I underscore the difficulties involved in ethically discriminating between forms of violence, especially when we consider the manner in which such distinctions rely on and reproduce gendered modes of power. This raises particular problems for current feminist appraisals of resistant political violence as an expression of women's empowerment and ‘agency’.     

Cross way cross civil war chronicles,part iii

What possibilities might melancholia offer for a queer ethics, and what might it mean to perform such an ethics onstage? In this essay the author analyzes mobile figurations of U.S. nationalism, violence, and visuality as theorized in the work of contemporary queer chorographers Bill T. Jones and Keith Hennessy. The author suggests that Jones's 1989 Untitled and Hennessy's 2006 Sol Niger evidence shifts in racialized sexuality and empire from the 1980s to the War on Terror, even as they both mark convergences between geopolitics and biopolitics. Reading these works together – despite their markedly different aesthetics and tones – elucidates a queer ethics rooted in and capable of contending with our contemporary political moment of war and U.S. empire building. Further, these works model how dance and other embodied, collective practices can engender what Jill Dolan calls “utopian performances” or possibilities for critique and transformation rooted in moving social bodies.     

class and feminine excess: the strange case of Anna Nicole Smith

Cultural concerns about race, class and beauty often intersect with mass-mediated depictions of the female body. Drawing on Foucault's theories about disciplining the public body, this article examines the changing public perception of Anna Nicole Smith from an ideal beauty to a white trash stereotype. This analysis argues that Smith's very public weight gains, her outrageous behaviour and her legal battle for her late husband's fortune is presented in the media as an example of inappropriate conduct for a white beauty ideal and thus is repositioned as white trash culture. Central to this repositioning is the constant tabloid depiction of Smith as an ‘out of control’ grotesque. This article argues that contrary to the optimistic understanding of female grotesques as effective agents of cultural criticism and social change, Smith represents the female grotesque as an agent of cultural control that instructs middle-class women on how to avoid committing classed, racial and gendered transgressions. The article concludes that the case of Anna Nicole Smith functions as a cautionary tale that reinforces cultural standards of normalization.     

Motherhood at center: Ellen key's social vision

The new Swedish women's movement was hampered in its analysis in part by the association of ‘feminism’ with a glorification of traditional feminity attributed to turn-of-the-century essayist Ellen Key. This paper examines Key's production during one controversial decade (1896–1905) and finds that she, in fact, sought freedom for women to be true to their own characters rather than follow patriarchal definitions or emulate male behavior. She advocated a new world-view based on social solidarity and the ‘self-assertion and self-surrender’ of the mother-child relationship, as well as a transformation of society that would put motherhood at the center of public life. Dismayed at sexual hypocrisy and the suffering it caused, she wanted to remove reproduction from its patriarchal moral and legal strictures and replace ‘man's erotic dualism’ with genuine love and a new understanding of sexuality based on ‘maternal feeling’. Several interpretive questions are raised: Where is the locus of feminism? How do we recognize it when we see it? Why is the so-called ‘exaltation’ of motherhood so problematic for modern feminists?     

DESIRING YOUNG LES(BI)AN VISIONARIES IN THE ARCHIVE

This paper presents a critically reflexive account of the experiences of a group of researchers at the Canadian Women's Movement Archives. Drawing on the work of Sara Ahmed, Claire Colebrook, and Victoria Hesford, it argues that the researchers shared intensely embodied and emotional encounters with the archival record of lesbians’ struggles to create and define community. These encounters encouraged the researchers to explore the potential of their own sexual subjectivities. Their deepened understanding of the complex lesbian and feminist past provided them with the desire to reconsider the collective promise of ‘lesbian’ and ‘bisexual’ for their own future community.     

With you but different: Jouissance and feminist writing

In this article the notion of jouissance as a vehicle for constructing embodied female subjectivity is introduced. Both Luce Irigaray's and Rosi Braidotti's ideas about female subjectivity are reflected against psychoanalytical theory. Although their standpoints are quite different, what they have in common is the re‐essentialization and the nomadic (mobile) nature of female subjectivities. This radical construction can be further developed with the aid of jouissance, which in this article is cut out from its psychoanalytical roots. It is argued that feminist writing which connects jouissance and the creation of subject positions for women in scientific discourses is not a totalitarian discourse but a pleasurous between‐area which connects bodies and texts. It allows space for differences, a space for I and You.     

Religion,Same-Sex Desire,and the Imagined Geographies of Empire: the case of Constance Maynard (1849–1935)

Although a devout Evangelical, living in an era that largely predated the dissemination of sexological discourses of female same-sex desire, Constance Maynard (1849–1935), the prominent Victorian educational reformer, pursued a series of same-sex relationships. This essay focuses on Maynard's relationship with the Anglo-Irish Marion Wakefield (1876–1956), exploring the role of Maynard's erotic imagination in the constitution, contestation, and consolidation of the imagined geographies of imperialist discourse. Maynard's erotic positioning of her lover in diverse imperial landscapes reveals the ostensibly ‘private’ discourses of the erotic imagination to be profoundly implicated in the ‘public’ discourses of empire. At the same time, the domestic settings in which these landscapes were imagined and in which the women's illicit desires were enacted, pose a challenge to the gendered spatial dichotomies—private/public, domestic/imperial, and home/away—of both imperialist discourse and the historiography of empire.     

论《公民道德建设实施纲要》的理论创新

《公民道德建设实施纲要》的颁布是社会主义时期道德建设的重大举措 ,具有重大的理论创新意义 ,实现了从阶级道德到公民道德 ,从理想道德到现实道德 ,从抽象道德到实践伦理的转化 ,使道德不再是书本上抽象的、空洞的、理想的说教 ,而是社会生活中具体的、现实的、每个人都应具有的责任。