“以德立院、以德做人”医院文化建设的探索和实践

医院文化主张以文化理念、文化魅力影响人的内心世界,启迪人的文化自觉,提升人的全面素质,它在医院管理中起着导向、凝聚、激励的作用.     

The Liquefaction of Desire: Music,Water and Femininity in Victorian Aestheticism

This article reconsiders Victorian images of mermaids and sirens through a detailed examination of two images: Frederic Leighton's Lieder ohne Worte (1861, oil on canvas, Tate Britain) and Edward Burne-Jones's The Depths of the Sea (1886, oil on canvas, private collection). It demonstrates that the themes of water, music and femininity were entwined in the Victorian imagination, by setting these two paintings within the context of Victorian artistic, literary and cultural production. It shows that musical images were prevalent in the emerging Aesthetic movement. Musical subjects freed artists and audiences from the conventions of narrative interpretation, and allowed them instead to concentrate on exploring mood and colour.

Pictures of mermaids add a further twist to the Aesthetic preoccupation with music. This article reveals that mermaids made explicit the underlying connection between musical performance and sensuality. It also suggests that the idiosyncratic depiction of the mermaid by Burne-Jones and the ambiguous sexuality of Leighton's figures could be read as symptomatic of changing conceptions of desire. It argues that these images embodied the shift from ardour to libido. In other words, love was no longer described as burning and fixed, but as fluid and shifting. This transformation in the way desire was theorised was most urgently presented in Freud's Three Essays on Sexuality (1905). However, this article suggests that the same ideas were being made visible in Aesthetic art and writing from the mid-nineteenth century.     

Jewish joke telling in Muttersprache Mameloschn: performing queer intervention on the German stage

This essay explores the central role of Jewish joke telling in Sasha Marianna Salzmann’s play Muttersprache Mameloschn (first performed in 2012). Subversively revealing the problematic of essentializing cultural, national, and even sexual identity, Jewish joke telling figures as a performance of social and political resistance and disidentification in this play. Engaging with Jack Halberstam’s queer epistemology of failure and José Esteban Muñoz’s theory of queer disidentification, I propose that the act of Jewish joke telling by a young lesbian plays out as a new queer project of intervention in this play that confronts both antisemitism and culturally positioned sexual hegemony.     

engendering ‘race’ in calls for diasporic community in Sweden

The Asian Debt Crisis of 1997–2001 led to drastically higher levels of unemployment, resulting in enormous social anxiety and shock. For the first time in its history, South Korea's attention was forcibly drawn to homeless people. Both the new government of the first civilian president, Kim Dae Jung, and an emerging civil society began to pay unprecedented attention to homeless issues. In this new context, homelessness was constructed as a product of the economic crisis. However, although certain homeless men who fit the category of employability and rehabilitation were considered ‘deserving’, long-term street living people and homeless women were disregarded and further marginalized through specific gendered processes. In particular, homeless women were rendered invisible and considered ‘undeserving’ because they fell outside of normative gender expectations, including the idea that a woman's place was in the home, regardless of their ability or desire to work. Building upon ‘needs-talk’ analysis created by Nancy Fraser, this paper exposes the important role of gender norms in the making of a neoliberal welfare citizenship in South Korea, by arguing that the narratives of homeless policy administrators and shelter managers designated homeless women as ‘undeserving’ welfare citizens.     

Foreign farm workers in Ontario (Canada): Exclusionary discourse in the newsprint media

Seasonal offshore labour from Mexico and the Caribbean is a vital element in the horticulture industry of Ontario, Canada. The offshore programme run by the government regulates the recruitment of foreign workers into a seemingly feudal labour regime. It is argued here that media discourse about foreign workers plays an important role in generating public consent for this regime. An analysis of the daily newsprint media reveals several co-existing narratives, which constitute a wider public discourse about offshore labour. By portraying foreign workers as crucial for the economy, a liability to rural communities and a form of aid to the global south, this discourse legitimates existing labour practices, cultural exclusion and workers' temporary status in Canada.     

Theorising The Everyday

This article reflects on the gender politics integral to theories and cultural histories of the everyday in the contemporary Humanities and (to a lesser extent) Social Sciences. Since the 1990s feminist scholars have observed the gender bias integral to many canonical twentieth-century theories of the everyday. In spite of these observations, I suggest that much everyday life theory and recent studies that map a cultural and intellectual history of the everyday continue to reflect this gender bias. I suggest that one possible reason for this is women’s historical exclusion from the realm of theoretical discourse broadly conceived, and propose that in order to trace alternative critiques and histories of the everyday feminist scholars need to look to alternative modes of cultural and discursive production—for example, literature, the essay and art—through which to trace implicit and explicit analyses of the everyday by women. The second part of the article turns to the work of the twentieth-century photographer Dorothea Lange as a case in point. While Lange’s work has never been discussed in studies of the everyday, the concept underpins her practice and her work offers some suggestive points of comparison to approaches to the everyday both in Lange’s time and in contemporary theory. Focusing on her little-known essays ‘Documentary Photography’ and ‘Photographing the Familiar’ and some of her images of rural California during the Depression years, I examine her account of the role of the ‘familiar’ and everyday to the social, aesthetic and ethical potential of documentary photography as a medium at the time.     

The Role of Child Sexual Abuse Images in Coercive and Non-Coercive Relationships with Adolescents: A Thematic Review of the Literature

The objective of this article is to present a thematic review of literature that pertains to the role of child sexual abuse images in online coercive and non-coercive relationships with adolescents, synthesize and contextualize current research on this topic, and identify some of the complexities in the self-production of sexual images by adolescents and their potential use by offenders. This review examines why there is a trend for child abuse image production to be increasingly associated with adolescent self-produced sexual images and how this may be related to individual coercion, as well as changing social and Internet contexts. Practitioners need to understand the technological and social affordances offered by the Internet, particularly in relation to the ability to produce sexual images, as part of a more ecological approach to understanding online abuse and exploitation.     

试论劳动生产要素参与分配

收入分配在社会经济生活中起着重要的作用,收入分配与生产要素有密切的关系,劳动要素是一种对经济发展起决定性作用的生产要素,劳动生产要素的特点要求劳动要素不仅应获得价值补偿,还应获得剩余索取权,这必将极大地激发劳动生产要素的活力,提高劳动者的地位。     

The failure of feminism in Greenwich Village before World War I†

One crucial element of the cultural transformation which pre‐World War I Greenwich Village radicals believed would pave the way for socialist revolution was the liberation of women, not only in political and economic terms, but also in terms of lifestyle. However, both male and female Village feminists found themselves shackled by vestiges of Victorianism and torn between visions of women as naturally maternal and pacifistic and other images of women which demanded sexual equality. The Village was a community supportive of the new feminism, but the variety of feminism that emerged from it suffered from the complacency of male feminists who believed that they could be patrons of feminism, the acceptance of inflated claims advanced by the women's movement, a tendency to accept sexual liberation in lieu of more profound socio‐economic changes, and a failure to create a feminism relevant to the masses of working women in society at large. The young people who came to the Village in the 1920's were more interested in social rebellion than in social reform. Sexual freedom became the sum total of feminism; the end product of the New Freedom was the Flapper.     

The next Great Trek? South African commercial farmers move north

This paper analyses the shifting role of South African farmers, agribusiness and capital elsewhere in the Southern African region and the rest of the continent. It explores recent trends in this expansion, and investigates the interests and agendas shaping such deals, and the ideologies and discourses of legitimation employed in favour of them. While for the past two decades small numbers of South African farmers have moved to Mozambique, Zambia and several other countries, this trend seems to be undergoing both a quantitative and a qualitative shift. Whereas in the past their migration was largely individual or in small groups, now it is being more centrally organised and coordinated, is more frequently taking the form of large concessions for newly formed consortia and agribusinesses, and is increasingly reliant on external financing through transnational partnerships. By early 2010, the commercial farmers' association Agri South Africa (AgriSA) was engaged in negotiations for land acquisitions with the governments of 22 African countries. This essay is the product of a scoping study to document and analyse major land acquisitions by South African farmers and agribusinesses, and the processes through which these have occurred and are occurring. It considers the changing character, scale and location of South African investments elsewhere in the region and the continent, and focuses specifically on the AgriSA-Congo deal (the largest deal concluded thus far), and acquisitions by the two South African sugar giants, Illovo and Tongaat-Hulett, for outgrower and estate expansion elsewhere in the region. The study addresses the degree to which South Africa is no longer merely exporting its farmers, but also its value chains, to the rest of the continent – and what this means for trajectories of agrarian change. It questions how we might understand the growing trend of ‘intra-regional land grabbing’ and, in the cases discussed, suggests that South African-based companies are acting as arteries of global capital.     

Sacred groves,sacrifice zones and soy production: globalization,intensification and neo-nature in South America

Soy has become one of the world's most important agroindustrial commodities – serving as the nexus for the production of food, animal feed, fuel and hundreds of industrial products – and South America has become its leading production region. The soy boom on this continent entangles transnational capital and commodity flows with social relations deeply embedded in contested ecologies. In this introduction to the collection, we first describe the ‘neo-nature’ of the soy complex and the political economy of the sector in South America, including the new corporate actors and financial mechanisms that produced some of the world's largest agricultural production companies. We then discuss key environmental debates surrounding soy agribusiness in South America, challenging especially the common arguments that agroindustrial intensification ‘spares land’ for conservation while increasing production to ‘feed the world’. We demonstrate that these arguments hinge on limited data from a peculiar portion of the southern Amazon fringe, and obfuscate through neo-Malthusian concerns multiple other political and ecological problems associated with the sector. Thus, discussions of soy production become intertwined with broader debates about agrarian development, industrialization and modernization. Finally, we briefly outline the contributions in this volume, and identify limitations and fruitful directions for further research.     

'More Intimate Than Violence': Sexual Violation in Sarah Dunant's Transgressions

Horeck looks at what happens when a feminist author attempts to rewrite one of culture's most powerful narratives: the story of female victimization and male sexual violence. Exploring the controversy surrounding Sarah Dunant's 1997 thriller Transgressions , a novel accused of being 'anti-feminist' for its alleged depiction of female sexual arousal in a rape scene, she asks after feminism's fictional investment in images of rape. What kind of cultural work are images of sexual violence being made to perform for feminist crime writers? Her contention is that Dunant's novel exemplifies the purchase that rape holds for feminism as a scenario for working through questions of female agency and male-female sexual relations. Through her represenation of the female translator's attempt to rewrite a dominant cultural narrative of male brutality and female victimization, Dunant is thematizing the difficult work of the feminist crime writer. But while the novel's fictional representation of sex and violence can be read as an attempt to unsettle governing gender codes, Horeck argues that it also inadvertently shows up the limitations of the female crime writer's attempt to fight 'fantasy with fantasy'.     

Forms of production in practice: Fresh approaches to simple commodity production

Jaques M. Chevalier, Civilization and the Stolen Gift: Capital, Kin and Cult in Eastern Peru, Toronto: University of Toronto Press, 1982.

In an important new book, Jacques Chevalier advances the concept ‘form of production’ by giving it explicit theoretical treatment. In doing so he reveals a number of significant differences in the way various scholars have used the concept, especially on the central question — the relationship between capitalist and non‐capitalist forms of production in peripheral social formations. This is an old problem, but one that refuses quietly to die. It thus deserves continued discussion. What makes Chevalier's book worthy of extended discussion, however, is that it provides an anthropological treatment of the cultural elements involved in creating and sustaining distinctive forms of production. It does so by elaborating some of Pierre Bourdieu's notions about social practice in creating cultural as well as material life. The two sets of issues are not as far apart as one might think, since both consider actual social practice within particular material and cultural contexts, giving agency to both economic practice and to the environment containing it in determining the resulting social dynamic. In this way the scholars working on these two traditions hope to avoid many of the deterministic assumptions embedded in most analysis of production ‐ a problem that has long bedevilled marxists (as well as anthropologists). In this review essay I reflect on both sets of issues and the advantages to be gained by considering them as interrelated.     

Imagining Mary in Theology and Visual Culture: Between Constraint and Resistance

This contribution focuses on the Virgin Mary’s continued relevance as a polyvalent signifier that straddles the secular-religious divide. Interlacing feminist theology and visual studies, I trace Mary’s ambiguous significance between oppression and liberation, and between religious and secular realms in texts and images. The extended analysis of the contemporary transformation of the traditional motif of the Guadalupe in the digital collage Our Lady (1999) by Chicana artist Alma López shows that contemporary reimaginations of Mary as a self-confident woman at one with her body and sexuality both echo and reinforce tendencies in feminist theology. Combining religious and cultural dimensions, the work and reactions to it uncover the intricate ways in which religion has shaped and continues to shape cultural views of gender, both in terms of consolidating a binary, hierarchical gender order and providing a source of alternative visions.     

Migrant melodrama and the political economy of suffering

This article deploys the term “migrant melodrama” to describe contemporary cultural production that trains a melodramatic imagination on migrants. It argues that migrant melodrama often reconfigures suffering as a necessary step in the progress toward inclusion and belonging. To interrogate this assumption, the article analyzes three prominent examples of migrant melodramas that feature children traveling north across national borders without adult caretakers: the 2006 journalistic narrative Enrique’s Journey: The Story of a Boy’s Dangerous Odyssey to Reunite with His Mother, by Sonia Nazario; a 2009 HBO documentary film inspired by Nazario’s book, Which Way Home, directed by Rebecca Cammisa; and the 2007 fictional film Under the Same Moon, directed by Patricia Riggen. The article proposes that migrant melodrama plays a role in the commodification and circulation of undocumented migrant suffering in a global market, a phenomenon that the author terms “the political economy of suffering.” Performances of suffering can be exchanged in the political economy of suffering for any number of privileges, from a handout to a visa, and are linked to major international economic and political decisions, such as migration policies that regulate human mobility across nation-state borders. The political economy of suffering is a web of transactions in which performances of undocumented migrant suffering are exchanged in attempts to promote empathy, tolerance of mobility, and respect for migrant human rights. In different ways, all three of the works analyzed accept the underlying logic of the political economy of suffering.     

The Functions of Class at the Present Time: Including Taste,or Sex and Class as Culture

Gagnier provides an analytic account of current uses of gender, sex and sexuality, and of class as objective condition, role, identity, subjectivity, performance, product of cultural formation, pain and pleasure. She concludes that we shall do better today to take from the history of political economy a focus on the division of labour, the kinds of work people do, including women's unpaid labour at home, and the ways that work structures identity and subjectivity, than on more abstract class identity (e.g. wage-labourers and capitalists), and to see that both local and global divisions of labour or work patterns are along race and gender lines as much as along class lines. The introduction of consumption models of taste and status draws together both class and gender, for consumption and leisure, the realm for most wage-labourers of pleasure, is as significant in the formation of identity and subjectivity as work, production or pain. We should account for people's pleasures and desires as well as their pain and place in narrowly conceived 'productive' relations. Class is no less significant than it always was, but future work should disaggregate the concept along these lines, mindful of gender salience in the division of labour and the reproduction of class. And it should include critical analysis of the realms of taste, pleasure, consumption, leisure and status.     

论职工社团在企业文化建设中的地位作用与发展

文化是人民的精神家园,其核心是以人为本,首发集团秉承着"以人为本"的理念,积极探索实践企业文化管理的新理念、新方法、新途径,首发职工社团就是在这个探索过程中应运而生的,不仅满足了广大职工日益增长的多元化的文化需求,还发挥了文化引领风尚、教育职工、服务企业、推动发展的作用。     

Gender,Culture and the Law: Approaches to ‘Honour Crimes’ in the UK

This article examines the debate on whether to analyse ‘honour crimes’ as gender-based violence, or as cultural tradition, and the effects of either stance on protection from and prevention of these crimes. In particular, the article argues that the categorisation of honour-related violence as primarily cultural ignores its position within the wider spectrum of gender violence, and may result in a number of unfortunate side-effects, including lesser protection of the rights of women within minority communities, and the stigmatisation of those communities. At the same time it is problematic to completely dismiss any cultural aspects of violence against women, and a nuanced approach is required which carefully balances the benefits and detriments of taking cultural factors into account. The article examines the issues within the context of the legal response to cases involving honour-related violence, arguing that although the judiciary has in a number of cases inclined towards viewing ‘honour’ as primarily cultural rather than patriarchal, in some cases they have begun to take a more gender-based or ‘mature multiculturalism’ approach.

论工会文化在企业文化建设中的作用

工会文化建设是企业文化建设的重要组成部分。在新形势下,要准确把握企业文化建设与工会文化建设的一致性和相同点,发挥工会文化优势,不断丰富企业文化内涵,提高企业职工的整体素质,更好地发挥工会文化在企业生产建设中的作用,从而促进企业又好又快的发展。     

'Deeds and Words': The Woman's Press and the Politics of Print

The political and constitutional impact of the early twentieth-century British women's suffrage movement has been the subject of extensive research since the advent of second-wave feminism, yet the broader cultural impact of the movement remains a developing scholarly area. Murray examines the role of the Woman's Press, the publishing house established in 1907 as a strategic component of the Pankhursts' influential Women's Social and Political Union. The press is located within multiple and interpenetrative analytical contexts: examined in turn are its role in the various power struggles of the WSPU and the broader British suffrage movement; its significance as an independent means of cultural production around the contested site of the suffragette; and its ambiguity as a feminist publishing house run by male pro-suffragist and lobbyist, Frederick Pethick Lawrence. The Woman's Press and its central London retail outlet figured prominently in WSPU administration as a material concern-as literature packing department, revenue raiser and recruiting centre. Yet, symbolically, the Woman's Press was also integral to the campaigning of the WSPU to an extent that has generally remained under-examined. As an independent publishing house the press constituted a vital conduit guaranteeing the entry of suffrage arguments into public discourse, and a crucial tool for appropriating and refashioning the contested image of the suffragette in the wider politico-cultural landscape of the day. Acknowledging the significance of the Woman's Press provides both a necessary historical context for the post-1970 feminist press boom, as well as a counterpoint to the ongoing political-financial conundrums that beset its modern descendents.