组织起来 输送出去 跟踪维权

创新,往往出自于不同学科、不同领域、不同部门或组织之间的结合点。工会要最大限度地维护劳工权益,劳动部门要最大限度地促进就业。外出务工人员联合工会没有工会经费来源,为农民工职介、培训,维权没有"硬实力";劳动保障部门有劳动技能培训经费,但需要有人为农民工办实事。这二者的结合便产生了当阳市"外出务工人员联合工会"——一个依托工会强大的组织体系,同时又依托劳动保障部门精湛的业务指导及必要的经费扶持,为农民工办实事的组织。     

应运用工会图书室提升职工素质

当前,一些地方工会,特别是一些大型企业设立了工会图书室,有的称图书馆(以下简称图书室)。我认为,这是一个丰富的职工再教育资源,应当将其充分加以利用。为什么要重视工会图书室对提升职工素质方面的作用     

要把工会院校图书馆建成工会信息中心

工会院校图书馆要抓住时机，适应学校建设和工会工作的需要，充分利用自身信息和人才资源的优势，转变观念、调整馆藏、调整机构、强化管理，把图书馆建成具有为工会院校和工会组织双重服务功能的工会信息中心     

工会加强自身建设的路径研究

工会作为党联系职工群众的桥梁纽带,在实现民族复兴的"中国梦"的伟大历史进程中,地位尤为重要、作用尤为突出。要通过打造学习型、创新型、服务型工会,坚持从思想建设、组织建设、作风建设、制度建设、能力建设五个方面推进工会自身建设,切实把工会建设成为职工群众可以信赖的"职工之家"。     

基于文献计量法的我国工会图书馆研究发展探析

建设工会图书馆为职工学习知识、获取信息、提高素质、丰富文化生活提供便利,是一项惠及广大职工群众的文化利民工程,是工会发挥组织职工、引导职工、服务职工和维护职工合法权益作用的体现.本文运用文献计量法对工会图书馆相关研究文献进行了量化分析,对工会图书馆的设立目的、建设模式、运营策划、实践经验等方面进行了梳理总结,对现有研究成果、存在不足及发展趋势进行了探讨.     

试论工会院校图书馆的深化服务问题

工会院校图书馆的深化服务,是当前急待解决的一个问题,应引起各方面的关注。一、深化服务是工会院校图书馆向现代化迈进的标志之一随着社会的不断进步,作为存贮文献信息知识的图书馆也必然要向现代化迈进,这是事物发展的客观规律。但是,作为一个现代化的图书馆,决不仅仅是硬件现代化,即技术设备现代化,软件系统的开发利用更是一项不容忽视的重点工程,二者必须相辅相成,互为依存。在图书馆的整个软件系统开发中,多功能的深化服务、开发利用是一项极其重要的工作,可以说是图书馆现代化的重要组成部分。     

工会图书馆改革初探

工会图书馆是我国工会的文化事业单位,也是我国图书馆事业中的一大类型。据统计,目前我国工会图书馆有20多万所,位居其它类型图书馆之首。但是,这么庞大的一支工会图书馆队伍,业务水平却很低。为了使工会图书馆能够跟上整个工会改革的前进步伐,笔者想谈一点自己粗浅的看法。图书馆是利用图书资料进行科学、文化、教育工作的具有学术性的文化机构,它     

工会院校图书馆育人的特点和途径

工会院校是培训和造就大批工会干部和工会工作者的摇篮,是工会系统开展职工教育的重要阵地。工会院校图书馆作为学校文献资料中心,在育人工作中,担负着不容忽视的任务。本文拟对工会院校图书馆育人的特点和途径进行初步探讨。 一、工会院校图书馆育人的特点 工会院校育人工作的目标,是提高工会干部和职工队伍的两个素质,即提高思想政治素质和文化技术素质。工会院校图书馆育     

切实加强和改进工会院校信息资料工作

分析当前工会院校图书馆信息资料工作现状和存在的问题,为适应新时期工会院校教学和科研的需要,应从规范信息资料类型、扩大信息资料来源、完善信息资料管理、加大信息资料工作投入、提高工作人员素质等方面,加强和改进图书馆信息资料工作。     

北京市工会工作强化内涵式发展道路的问题研究

研究以工会内涵式发展为视角,提出北京市工会应侧重加强自身建设,提升服务职工质量。当前北京工会工作面临"服务大局,顺应国际潮流,回应职工期待"等新要求,但工会在机构设置、服务方式、资源分配、干部选用等方面存在诸多掣肘工会发展的问题。研究提出,"十三五"期间北京工会工作要实现从"侧重外延式向内涵式、侧重封闭式向开放式、侧重行政指令向需求导向"的三重转型。在阐述工会工作内涵式发展内核的基础上,提出了加强北京市工会内涵式发展的改革路径。     

Introduction to queer circuits: Critical performance and digital praxis

This introduction situates the articles making up this special issue within four thematic clouds, positing queer theorization as broadly relevant for critically engaging with computational technologies and culture. These sub-themes offer suggestions for future queer inquiry and praxis and reflect key terms in performance studies and queer theory that have undergone transformation with the ubiquity of digital technology.     

Women,Science and Culture: Science in the Nineteenth-century Periodical

The Victorian periodical press offers unique insights into many diverse areas of nineteenth-century experience, and the complex relations between gender, science and culture in particular, yet it has been consistently marginalized as a primary resource in academic study. The Science in the Nineteenth-century Periodical (SciPer) project at the universities of Sheffield and Leeds is creating a new point of access to a wide range of non-specialist periodicals across the century by means of a fully searchable electronic index. By detailing the entire contents of each journal, and not just those articles that have a clear scientific relevance, it becomes clear that science formed a fundamental and integral part of nineteenth-century culture. The electronic index, moreover, will include hypertext cross-reference links that will allow the user to identify a dialogic pattern of encounters between ostensibly diverse articles, rather than only to browse in a simple chronological mode. By adopting this innovative approach, the SciPer database will reveal the manifold intertextual relations between the fictional works of women writers like Elizabeth Gaskell and the scientific articles that often appeared in the pages of the same magazines, and will show that writers of both sexes and across several different genres actively engaged in vibrant interdisciplinary debates concerning scientific issues in a forum provided by the periodical. Although the SciPer database itself is not specifically focused on issues of gender, the index will include several periodicals aimed explicitly at a female readership and, by providing access to titles still rarely utilized in modern scholarship, it will offer further insights into the important contemporary debates about women and science, as well as the more subtle ways, in which gendered imagery was employed within scientific discourse. This article details some critical findings from Punch , The English Womans Domestic Magazine , Cornhill Magazine and the Review of Reviews .     

The Liquefaction of Desire: Music,Water and Femininity in Victorian Aestheticism

This article reconsiders Victorian images of mermaids and sirens through a detailed examination of two images: Frederic Leighton's Lieder ohne Worte (1861, oil on canvas, Tate Britain) and Edward Burne-Jones's The Depths of the Sea (1886, oil on canvas, private collection). It demonstrates that the themes of water, music and femininity were entwined in the Victorian imagination, by setting these two paintings within the context of Victorian artistic, literary and cultural production. It shows that musical images were prevalent in the emerging Aesthetic movement. Musical subjects freed artists and audiences from the conventions of narrative interpretation, and allowed them instead to concentrate on exploring mood and colour.

Pictures of mermaids add a further twist to the Aesthetic preoccupation with music. This article reveals that mermaids made explicit the underlying connection between musical performance and sensuality. It also suggests that the idiosyncratic depiction of the mermaid by Burne-Jones and the ambiguous sexuality of Leighton's figures could be read as symptomatic of changing conceptions of desire. It argues that these images embodied the shift from ardour to libido. In other words, love was no longer described as burning and fixed, but as fluid and shifting. This transformation in the way desire was theorised was most urgently presented in Freud's Three Essays on Sexuality (1905). However, this article suggests that the same ideas were being made visible in Aesthetic art and writing from the mid-nineteenth century.     

Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice

This essay puts forward a notion of “raunch aesthetics,” theorizing raunch as an aesthetic, performative, and vernacular practice: an explicit mode of sexual expression that transgresses norms of privacy and respectability. Raunch aesthetics describe creative practices that often blend humor and sexual explicitness to launch cultural critiques, generate pleasure for minority audiences, and affirm queer lives. The author activates her formulation of raunch in analyzing Yo! Majesty, a hip hop group comprised of black female emcees who openly describe their sexual desire for women, and explores how the queer youth of color she works with have responded to their music. Working beyond the unexamined moralisms that give critiques of raunch culture their legitimacy, the author argues that Yo! Majesty's raunch aesthetics transmit queer and feminist teachings. While celebrating carnal pleasures, these artists critique heterosexism, subvert narratives about the incompatibility of belief in Christ and queer sexualities, and trouble notions concerning the emancipation of coming out of the closet and declaring a stable homosexual identity. In demonstrating how raunch aesthetics generate consciousness raising, the author discusses how her youth participants critically read and consume hip hop while negotiating unwieldy meanings of sexuality and gender presentation.     

Feminism, Aestheticism and the Limits of Law

This article seeks to identify and address the normative void that resides at the heart of postmodernist-feminist theory, and to propose a philosophical framework – beyond postmodernism, but incorporating its central insights – for thinking through the normative questions with which feminists are inevitably confronted in their engagements with positive law. Two varieties of postmodernist-feminism are identified and critically analysed: the ‘corporeal feminism’ of Elizabeth Grosz and Judith Butler, which seeks to ground feminist critical practice in the irruptive capacities of the material body considered as an arte fact of social construction; and the deconstructionist feminism of Drucilla Cornell, for whom ‘the feminine’ is an indeterminate but disruptive force beyond its construction in law and in other social sites. The first component of the argument elaborated here is that each of these approaches ultimately reduces to a form of aestheticism which is incapable of generating a worthwhile and workable feminist approach to the restructuring of politics and law. The second component of the argument involves a return to aesthetics, in particular to the philosophical aesthetics of Kant’s Critique of Judgement. Kant’s aesthetic philosophy, it will be suggested, yields a framework of concepts which, duly re-manipulated, could speak to the very concerns that have inspired postmodernist-feminism: how to attend to (bodily) particularity while avoiding the dangers associated with ‘essentialism’; and how to theorise the propensity of the unrepresentable power of the feminine to exceed both embodied human capacities and the confining rein of socially privileged rationalities. Crucially, however it also responds to a set of preoccupations – those of the feminist lawyer – that cannot be accommodated by postmodernism: how to translate embodied experience into (legal) norms; generalise from the particular; seek consensus; and codify an endless potentiality in the form of law. This revised version was published online in July 2006 with corrections to the Cover Date.     

The Unexpected: Bionic Woman at the Millennium

Wilfred Bion's A Memoir of the Future provides a point of departure for feminist thinking about the millennium. Bion problematizes hopes for the future and associates thought with catastrophic change. Women play an unexpected role in Bion's experimental autobiography, posing provocative questions and unsettling the status quo . Since Bion has little to say about women in his clinical writings, A Memoir sheds light on his thinking and on the post-Kleinian culture of the 1970s. Book I of A Memoir depicts a class- and sex-nightmare played out between men and women, and women and women, in an age of anxiety whose setting appears to be the fascist 'pacification' of Middle England during an unspecified period. In this hallucinatory drama, all encounters are reduced to a brutal fiction of dominance and submission. The violence of the action suggests the primitive mental world of psychosis. Book II of A Memoir satirizes 'the brilliance of masculine thought' through the voices and criticisms of women. But this is the purgatorial movement of Bion's autobiography, inhabited by 'idées mères' (untransformed beta-elements) and haunted by the ghosts of Bion's traumatic war-time experience. A monstrous plot is hatched to kill primitive, fascistic Man, who retaliates and takes the female spoils. Is this the prelude to catastrophic change? Book III stages a country-house debate between different characters who represent aspects of Bion's personality, recapitulating the concerns of his later writing. The debate includes a meditation on childbirth as compared to war trauma, but Bion takes his distance from feminine intuition or common sense. Women fight on both sides of the barriers in the Bionic revolution - becoming, however, figures for the 'unexpected' and precursors of emotional upheaval. The gendering of millennial thought in Bion's Memoir provides an opportunity to scrutinize our own unthought fantasies of change.     

The Between

Thinking with this special issue's group of feminist thinkers – some artists and others scholars – this introduction makes a strong case for co-authorship and a more collaborative humanities, while also insisting that the couple form – that stalwart object of queer and feminist theory – is neither a known quantity nor an exhausted entity, but rather, a field ripe for analysis. Situated squarely within performance studies, this introduction pivots away from questions of ontology and toward method and performativity, in order to ask: what modes of intellectual practice, erotic exchange, political work, and aesthetic experimentation happen uniquely within couple forms, in their most capacious and non-self-same iterations? What queer and feminist work can they do? What, in other words, is possible in the infinity, if indeed it is an infinity, between one and two?     

Guessing in the Gaps

The genesis of this conversation was the forthcoming new Penguin edition - under the general editorship of Adam Phillips - of the works of Freud. Mark and Phillips consider the concept of a 'literary' Freud alongside the 'scientific'or 'clinical' Freud, and discuss the related issues of translation, representation and interpretation, particularly as they bear on psychoanalytic writing. Adam Phillips's relationship to the institutions of psychoanalysis is considered, and the perpetuation of these institutions through the training of psychoanalysts and psychotherapists. Also discussed is the project of psychoanalysis: the nature of psychoanalysis as a therapy as well as a body of ideas. Mark and Phillips make reference to the work of Freud, Lacan, Klein, Winnicott and Laplanche, and to concepts such as the 'enigmatic signifier' and 'transgenerational haunting'.     

Other forms of conviviality: The best and least of which is our daily care and the host of which is our collaborative work

In this collaboratively written essay, artists Park McArthur and Constantina Zavitsanos take a queer materialist feminist approach to the entanglement of dependency and reproductive labor, disability, intimacy, and the impossibility of exchanging incommensurables. The text merges the authors' experiences receiving and providing one another care with their artistic practices, and includes instructive performance scores for past, rather than future, events.