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1.
ABSTRACT

This special issue is the second volume originating from the ‘Doing Women’s Film and Television Histories III’ international conference held at the Phoenix Cinema, Leicester, England, in May 2016. It connects with concerns and questions of women’s production histories related to the constructed nature of history and how we write a ‘history from below’ to foreground the hidden, marginalised or forgotten histories of our women ancestors. This collection captures something of the dominant ‘structures of feeling’ of women’s film and broadcasting history scholarship in the contemporary period ranging from considerations of women working in both above and below-the-line roles in film, television and radio, to those whose labour fell outside of mainstream cinema production, as in the instance of the amateur film in the UK between the 1930s and 1980. Together, these case studies span from 1926 to the contemporary period, providing particular flashpoints of women’s history across the UK, North America, Italy and Australia.  相似文献   

2.
《Labor History》2012,53(5):503-519
ABSTRACT

Article 23(4) of the Universal Declaration of Human Rights states ‘Everyone has the right to form and to join trade unions for the protection of his interests.’ This article documents the global legislative history of Article 23(4) trade union rights from its original drafting to interpretation by international labour standards. The history includes debates on the fundamental principles of trade union rights, the decision by ECOSOC to ignore a call to establish a permanent UN Commission on Trade Union Rights, the devolution of authority from the United Nations to the International Labour Organization, how ILO international law experts framed trade union rights as a subset of the freedom of association, and the treatment of labour relations policy, including compulsory union membership, that resulted under international human rights norms. The history is discussed as one that confines standards of policy on labour rights in the global political economy and has particular implications for the discourse on labour rights as human rights.  相似文献   

3.
ABSTRACT

The articles in this Special Issue are drawn from some of the contributions to a conference held at Sheffield Hallam University, UK, from 29 August to 1 September 2013 titled ‘Women's Histories: the local and the global’. The articles reflect on diverse aspects of the entangled histories of women across the world, mainly, but not exclusively, during the twentieth century. They explore the range of ways in which women's history, international history, transnational history and imperial and global histories are interwoven.  相似文献   

4.
Miles Larmer 《Labor History》2017,58(2):170-184
Abstract

This article provides a new history of mine capital and labour in the ‘Central African Copperbelt’ – the cross-border mining region of the Zambian copperbelt and Haut Katanga in the Democratic Republic of Congo. It doing so, it seeks to overcome the limitations of earlier structurally minded analysis rooted in modernist notions regarding the transformative capacity of mining capital and a ‘new’ African working class. Building on post-structuralist challenges to such assumptions, the article demonstrates the precarity, unevenness and uncertainty of the actually existing copperbelt economy and society. The comparison of the two copperbelt regions enables consideration of differential outcomes as a way of rethinking apparent inevitabilities. Analysis of how ideas about these mining societies were generated and circulated helps explain how dominant ways of understanding copperbelt capital and labour relations became established and continue to inform nostalgia for a ‘golden age’ of mining-fuelled prosperity at odds with historical reality.  相似文献   

5.
ABSTRACT

Despite her contribution to some of classical Hollywood’s most renowned musicals, the largely unknown Lela Simone exemplifies one of Hollywood’s ‘anonymous movie workers’ (Leo Rosten) working in the shadows of film history. As music co-ordinator for MGM’s Arthur Freed Unit (1944–1957), Simone’s exacting technical supervision of sound and music recording and post-production ensured films such as The Pirate (1948), On the Town (1949), An American in Paris (1951), Singin’ in the Rain (1952) and Gigi (1958) achieved perfect synchronisation and polished production values. Drawing on archival sources this article engages with the methodological and conceptual challenges of making visible the labour of women, like Simone, working below-the-line in technical roles. Taking Simone’s work on sound and music in the iconic ‘Singin’ in the Rain’ number as a case study, the article illustrates how a micro-historical focus can bring a previously invisible realm of women’s labour, and agency, into view.  相似文献   

6.
ABSTRACT

The term ‘postmaternal’ has recently emerged as a way to articulate the effects of neoliberalism on the public devaluing of caring labour [Stephens, Julie. 2011. Confronting Postmaternal Thinking: Feminism, Memory, and Care. New York: Columbia University Press]. This term suggests a valorisation of values associated with care and mothering that have traditionally been gendered and rely on a heterosexist matrix for their intelligibility. Marxist feminist writers during the 1970s struggled with the question of the particular form of care that reproduction entails, and this feminist archive has been recently extended to a discussion of ‘post-work’ [Weeks, Kathi. 2011. The Problem with Work: Feminism, Marxism, Antiwork Politics and Postwork Imaginaries. Durham: Duke], in which calls for the valuing of unpaid work as a viable form of labour have been reanimated. In this article I examine the relation between these two analytic categories – ‘postmaternal’ and ‘postwork’. Both categories require that we re-think some of the most trenchant issues in feminist thought – the sexual division of labour, the place of ‘reproduction’ in psychic and social life, and the possibilities for a new feminist commons.  相似文献   

7.
ABSTRACT

This paper discusses how to approach the history of female possessions today. By analyzing some recent contributions applied to two well-known historical figures: Teresa de Ávila (1515–1582) and Jeanne des Anges (1602–1665), I will problematize some of the ongoing history of female possessions. I intend a reflection on two of the current conceptual frameworks that feature the way history explains the subjective experience of these premodern possessed individuals. I focus on two kinds of interpretation: one I call the ‘neurotic’ interpretation, and the other the ‘subversive’ interpretation. Both constructions underpin explanations of women’s divine and demonic possessions, involving historiographical gender prejudices and ahistorical assumptions.  相似文献   

8.
In this article, I use a Marxist feminist methodology to map the organisation of migrant sex workers’ socially reproductive paid and unpaid labour in one city and country of arrival, London, UK. I argue that unfree and ‘free’ (sexual) labour exists on a continuum of capitalist relations of (re)production, which are gendered, racialised, and legal. It is within these relations that various actors implement, and migrant sex workers contest, unfree labour practices not limited to the most extreme forms. My analysis reveals that many migrant sex workers have very limited ‘freedom’. This is in stark contrast to the classical liberal claim of sex worker rights activists and academics that the vast majority of migrant sex workers are free, and therefore not coerced, exploited or trafficked. I then consider whether the emerging labour approach to trafficking could help achieve ‘freedom’ for migrant sex workers. Advocates argue that anti-trafficking efforts must, and can, be refocused on extending minimum labour and social protections to all vulnerable workers. I argue that this approach is disconnected from material interests and history. Rather, migrant sex workers, sex worker rights activists, and all migrant and citizen workers and activists globally must collectively organise against ‘labour unfreedom’ and hence for meaningful control over their labour and lives.  相似文献   

9.
Abstract

This article focuses on recent reconfigurations of the home as a space of financial calculation and speculation that requires new kinds of domestic labour. It considers the 2008 financial crisis, but redirects the analysis towards the ordinary and normalised presence of financial capitalism at the level of domesticity, home-life and the everyday ‘calculative agencies’ which households are now regularly called on to perform. It also examines the constitution of ‘women’ as a target group for personal financial products and services, and addresses the various strategies that promote financial inclusion as a means to secure individual responsibility, autonomy and entrepreneurial consumer participation in a financialised ownership society. The article argues that this feminisation of finance suggests a considerable challenge to received understandings of the relationships between gender and economy, production and reproduction, and life and labour.  相似文献   

10.
《Labor History》2012,53(4):351-371
ABSTRACT

This article contributes to an under-developed field in the social policy literature through an analysis of the origins of severance pay (SP)/redundancy pay schemes and, more specifically, their first designs in nine countries—Canada, the United Kingdom, Germany, Austria, France, Italy, Sweden, Spain, and Portugal. It has two objectives: first, to identify the key actors who shaped the design of the first SP schemes; second, to explain variations in terms of their mode of regulation, generosity and coverage. By building on the state-centric and power-resource perspectives, it identifies the conditions under which the state had an autonomous role vis-à-vis organized labour in SP reforms and the circumstances under which organized labour was the main actor. When the state was the key actor, it preferred legislation for the regulation of SP either to legitimize its apparatus in a ‘revolutionary’/‘potentially revolutionary’ context or to facilitate structural transformations of the economy in a ‘reformist’ context. When organized labour was the key actor, its preference was to regulate SP through ‘only collective bargaining’ or ‘legislation’, subject to the degree of unionization. Lastly, the paper argues that key actors (the state or organized labour) took into account the distributive structure of existing UI schemes when designing the coverage and generosity structure of the first SP schemes during the post-war era.  相似文献   

11.
Abstract

This article attempts to crack open the temporal assumptions in the goal of ‘balancing’ work and family, as it is mobilised in UK law. Within studies of gender and labour, ‘balance’, as a concept and a politico-legal objective, is worthy of much more scholarly attention than it has received to date. In the UK context, balance is understood as a means of achieving equilibrium, both at the level of the labour market and within the context of unpaid care. Specifically, mobilising the short horizon of a ‘reckonable present’, balance creates a paradigm or topos through which dilemmas of value and care can be played out and resolved. The specific qualities of the UK's right to request flexible work, for its part, indicate that law's temporal qualities can have specific regulatory functions, shifting scale and reframing responsibilities. By looking closely at legal technicalities, we can discern much about the conceptual logic that affects many of us through influential regulatory strategies. The political imperative of analysing work–life balance might, in this way, require us to return not only to time, but also, strangely, to legal form.  相似文献   

12.
《Labor History》2012,53(4):339-350
ABSTRACT

This article contributes to discussion of continuity and change in the International Labour Organisation’s (ILO) history, asking how the organisation and worker activities have been depicted in film. Since the 1920s, the films in which the organisation portrays itself have placed less emphasis on its European base, the largely male culture that once dominated it and the precise nature of its role in the world. In more recent years, the ILO’s cinematic output has made an effort to emphasise work, workers and their collective activity. Their short films have also come to overtly advocate ‘partnership’ trade unionism within a wider international and perspective while paying much more attention to matters of racial and gender diversity. These changes have been framed within the organisation’s constant assertion of continuity in its values and explicit use of its own history. Film has therefore contributed to consistency and continuity in its self-projection, providing parameters within which change has occurred.  相似文献   

13.
ABSTRACT

Histories are re-writing what Sherna Berger Gluck famously called the ‘master historical narrative’ of the US WLM, especially in historicizing the efforts of feminists of colour. This paper echoes this by exploring how white feminists embraced racial justice politics, particularly during the early 1970s, when it is often assumed that white feminists failed to enact racial justice. In historicizing the efforts of white anti-imperialist feminists in greater Boston, I maintain that the ‘master historical narrative’ wrote not only black, Chicana and multiracial feminisms out of history, but that it skewed our understanding of the race politics of white, US feminists.  相似文献   

14.
Miss New India is the title of a 2011 novel by Indian-born (now American-based) Bharati Mukherjee, which tells the story of a young woman who leaves her small-town home and family to find work in a call centre in the information technology city of Bangalore. The call centre is emblematic of a ‘new India’, in which educated young people seize the possibilities of a global labour market. This is a generation for whom colonialism is ancient history, a generation who have grown up in the aftermath of economic liberalization in India. Chetan Bhagat refers to this generation as ‘Young India’ and has written a series of best-selling novels that feature ambitious young men in the ‘new India’. There is, however, an emerging genre of similar narratives written by women and addressed to a female readership. This article discusses a range of contemporary Indian women’s popular novels and argues that, while Bhagat and his male heroes may embrace globalization and the market, the narratives written by women are more nuanced in their celebration of economic liberalization. The novels dramatize the tensions between tradition and modernity, family and independence, and suggest that these are particularly fraught for young Indian women. These texts pick up on the discourses of contemporary journalism about ‘Young India’, within the generic form of the romance, but their resolutions are repeatedly uneasy and suggest that the ‘new India’ is not an entirely comfortable space for the new Miss India.  相似文献   

15.
ABSTRACT

Helena Normanton aspired to become a lawyer at a time when women were prohibited from entering the legal profession. This aspiration became a reality when, on 24 December 1919, she became the first woman to be admitted to an institution of the legal profession after the passing of the Sex Disqualification (Removal) Act 1919, thus enshrining her place in legal history. Her achievement was, without doubt, remarkable. She has become the ‘face’ of women’s entry to the legal profession, but what was her contribution to the opening the legal profession to women? How should history remember her? This article will examine her role in this history and compare it to her own narrative. Further it will consider how we reconcile her trailblazing challenge to the male exclusivity of the Bar with the difficulties her behaviour often presents to us. Helena Normanton: saint or sinner? And does it matter?  相似文献   

16.
ABSTRACT

What are the consequences and implications for women of the imperative of waged work and the rolling back of welfare provisions? In this article Silvia Federici charts how the consequences have not only been increases in unpaid labour but also a financialisation of social reproduction. These phenomena have turned every aspect of daily reproduction into a means of capital accumulation and led to a significant increase in women’s debt. In a world where finance has become a dominant force, Federici argues that the economic situation that women face demands a rethink of the ‘right to work’ strategy that mainstream feminists have embraced in the pursuit of economic autonomy. This is so not least because the quest for autonomy has been turned into an engine for the production of a large female underclass for whom dependence on men has been replaced by dependence on banks.  相似文献   

17.
ABSTRACT

The research project ‘Calling the Shots: Women and contemporary film culture in the UK, 2000–2015’ investigates contemporary women's film history through two primary routes: the statistical analyses of the numbers of women in six key above-the-line professions (director, writer, producer, executive producer, cinematographer and editor), and interviews with 50 women in those same roles (by August 2018 we had interviewed 58). This paper focuses specifically on the permutations of the interview process for constructing women's film history in the contemporary period. Taking into consideration the theoretical, methodological and political issues at stake in recording oral histories of working women filmmakers, we contemplate the consequences of collecting and writing history that is still in medias res.  相似文献   

18.
Abstract

This paper seeks to explain the development of capitalism in Eritrea and Kenya from a labour history perspective. Indeed, the assumption in this research is that capitalism can only be explained by taking into consideration free wage labour as one of the sine qua non conditions for the existence of the capitalist mode of production. Therefore, the article looks at the paradigmatic socio-economic shifts: from unfree to free labour, from free to precarious labour and from unfree to precarious labour. These are the result of the complicated relationship that exists between capital and labour. The point of departure of the analysis is the Nieboer-Domar hypothesis on the structural origins of slavery, which despite severe criticism, it has been largely remained unchallenged until the present. In Eritrea, colonised by Italy, and Kenya, colonised by England, free wage labour fully developed between the nineteenth and twentieth century. This could be considered the era of the advent of capitalism, with the advent, for a fraction of the working population, of labour relations based on wages. The precarisation of life of free wage workers is also partially analysed in this article.  相似文献   

19.
Abstract

This paper examines the traditions of both British imperial and British domestic historiography and calls for a re-mapping of both so that the so-called separate spheres of ‘home’ and ‘away’ may be brought back into the same fields of debate. Its central claim is that imperial ideology and its effects were not phenomena ‘out there’. Empire was not a singular place; nor did ‘home’ exist in isolation from it. In spite of the polarization, which has been characteristic of their historiographies, their relationship was dialectic rather than dichotomous. These insights, while derived in part from new trends inside British history itself, owe both their theoretical rigor and their self-avowedly political concerns to post-colonial and feminist historiographical work, which together insist on the desacralization of ‘Britain’ proper.  相似文献   

20.
Abstract

Can we understand the arrival of Capitalism in Africa by tracking labour – from unfree to free, from slave to wage? The question supposes slavery to lie at its heart, yet the conversation between labour and slave studies is in early stages. The sources are problematic: the colonial ‘language of labour’ was often political rhetoric camouflaging ongoing forms of slavery. Then, there was the question of how the metropole-incorporated colonies into its economy: French West Africa’s sun and sand offered few economic resources. One was salt. The Niger Bend economy depended on Tawdenni, a desert salt mine controlled by Saharans and exploited by their slaves. In 1910, it was predicted that the French abolition of slavery would spell the end of Tawdenni: “Never will a man from the South – unless a slave – give himself to this work”; what, therefore, was to be done? The paper challenges the view that engagement with colonial capitalism necessarily led directly or even inevitably from slavery to wage labour by exploring how Tawdenni’s servile labour system responded to French colonial attempts to combine political abolition and economic sustainability.  相似文献   

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