The concept of ‘respect’ in African culture in the context of journalism practice: An Afrocentric intervention

Abstract

For decades, since the debate about the role of the media in post-colonial Africa emerged, a distorted interpretation of the meaning of ‘respect’ in the African cultural context has persisted in academic discourse to the present day. The distorted view suggests that according to traditional African beliefs it is disrespectful to criticise authoritative figures. On this basis, in some African countries journalism students have opposed criticism of heads of states, arguing that it is un-African to do so. On the other hand, journalism academics and practitioners have condemned and dismissed the concept of ‘respect’ in African culture as undemocratic and inimical to the role of journalism as a tool for democracy. This article argues that a critical examination of the concept of ‘respect’ in the African cultural context reveals that historically, in traditional Africa, ‘respect’ was not equated to obsequiousness by the citizens in their encounter with power. Sycophancy and submission in the face of power were invoked in the name of a falsified version of African culture by postcolonial power-hungry dictators, who sought to entrench themselves by distorting African culture for self-serving purposes.     

Thabo Mbeki’s African developmental agenda through Pan-Africanism and the African renaissance

In 1996, the then South African deputy president thabo Mbeki opened parliament with his since then acclaimed ‘I am an African’ speech. Subsequently, Mbeki publicly persuaded Africans to embrace and advance the concept of an African renaissance for Africa’s development. While Mbeki’s African renaissance project was welcomed on the one hand; on the other, it was anticipated that it would be an elitist project. In this article, it is argued that to the contrary, the African renaissance as pursued by Mbeki has sought to benefit ordinary Africans in a practical sense. This article uses a historical narrative approach so as to give a historical context against which Mbeki’s African renaissance emerged, highlighting the successes, failures, constraints, setbacks and challenges that he had to confront. the argument is that African intellectuals and academics who correctly point out the absence of a mass-based African renaissance movement must not stand apart and merely point fingers, but must be actively engaged in the realisation of the African renaissance ideals.