新闻作品散文化现象探析

由于历史的原因,我国新闻创作在很长一个时期显得呆板而沉闷。今天,和平与发展已经成为时代进步的主题,我国市场经济体制已基本确立,新闻定义的深化和拓展以及新闻自身发展规律的要求,将会使新闻散文化成为新闻创作的发展趋势。     

论汉字的优势和发展趋势

汉字有三千四百多年的历史,它是中国文化的瑰宝。汉字与拼音文字相比优势在于:汉字体现了表达信息所能达到的最高效果;汉字的重复利用率非常高,表达、传递信息的优势一目了然;汉字具有独特的书法艺术,魅力无穷。只要中华民族存在,中华文化存在,汉字的发展趋势就是不断地简化,朝着更为易读、易解、易写的方向发展。     

论局部添加文件的检验

局部添加文件的检验方法主要有 :根据文件内容、制作文件的工具和材料进行辅助检验 ,根据文件的压痕特征进行检验 ,运用理化方法直接进行检验 ,利用墨水在纸张纤维中的洇散特征进行检验 ,结合不同人的字体特征进行检验 ,利用文字的笔顺特征进行检验 ,运用文件的局部安排特征进行检验 ,根据墨迹与印文的先后顺序进行检验 ,根据笔痕特征进行检验。     

对公安刑事法律文书教学的几点思考

公安刑事法律文书的教学目的就是实用性。这就要求我们在《公安应用写作》课程的教学中注重培养学生的动手能力、理论联系实际的主动性 ,使用司法词语的准确性 ,写作技巧的熟练性 ,以提高这门课的教学质量 ,满足公安机关对所需人才的要求。     

应用文教学法浅议

应用写作是成人高等教育中一门重要的基础课程,对于培养和训练学生的写作能力有着实际的意义,而写作能力是工作能力和交往能力的组成因素之一.如何抓住应用文教学中的特点,更好地实现教学目标,收到更好的教学效果,是值得认真研究和思考的问题.     

书写能力的结构

目的提出人的书写能力由基础因子构成的假说。方法根据因子说,不同字的笔顺可能相关。以反犬旁、山字为目标字,收集799份有效实验样本,分性别检验实验样本中2个目标字的笔顺是否相关。结果统计检验表明反犬旁笔顺与山字笔顺相关（p〈0.01）,用一个笔顺在另一个笔顺出现的条件下的出现率与它的出现率之比测定它们相关性的大小,最高的比值为3.65。结论证实了人的书写能力由基础因子构成的假说,这个假说可以作为笔迹比较的理论基础。     

Regendering modernism: the woman artist in Irish women’s fiction

The period between 1922 and 1960 is often characterized as one of social and cultural stagnation in Ireland. Irish fiction was dominated by an avant-garde writing in exile and the local dominance of the short story. Attention to the non-canonical fiction of women during the period, however, reveals a literature that exceeds this paradigm. Meaney focuses on two novels, The Troubled House by Rosamond Jacob and As Music and Splendour by Kate O’Brien, which both feature women as artists. This figure provides in both cases a mode of combining a commitment to narrative realism with a self-reflexive exploration of the role of art, thus evading the fictional polarities of the period. The woman artist as fictional character also offers an opportunity to explore the relationship between gender, sexuality, politics and art. The linkage between sexual dissidence and aesthetic freedom is a persistent trope of modernism in the Irish context, even if it is often critically submerged under the figure of exile. Both The Troubled House and As Music and Splendour might be considered to be supplements to Irish modernism in the Derridean sense, ‘an originary necessity and an essential accident’. Through the figure of the woman artist, both of these marginal novels transgress the configurations of gender at the heart of that modernism’s aesthetic project. Both link transgressive sexuality with artistic production. In doing so they posit a very different relationship between sexuality, aesthetics and politics.     

Hearts and Minds: War Neurosis and the Politics of Madness in Anna Kavan's I Am Lazarus

Abstract

Anna Kavan's fictional portrayals of psychiatric breakdown and its treatment provide a unique perspective on the patient's experience of early to mid twentieth-century psychiatry. This article looks in detail at Kavan's time working with soldiers suffering from effort syndrome during the Second World War, observing how the solider-psychiatric patient becomes a figurehead for her radical politics in her Horizon article ‘The Case of Bill Williams’ (1944), and a prominent protagonist in her stories. Through close reading of her correspondence, her journalism and her wartime stories collected in I Am Lazarus (1945), it examines how the intersection of psychological trauma and physiological symptoms characteristic of effort syndrome surfaces in Kavan's writing of this period and in her own psychic responses to the war. It observes the importance of figurative language to her portrayal of war trauma and psychological breakdown, as her characters embody metaphor in their psychosomatic symptoms, and explores a twisted reconception of mind–body dualism prevalent throughout her writing of this period. It goes on to examine how the peculiar interaction of the physical and the psychological extends to the relationship between Kavan's characters and their external environment in her Blitz stories. Against the backdrop of the war-torn city, mind and body engage in ongoing conflict, affect and emotion bleed into her physical landscapes, and everyday objects become animated and hostile towards her protagonists.     

Writing,Space and Authority: Producing and Critiquing Settler Jurisdiction in Western Australia

On the edge of Stirling Gardens in central Perth, Western Australia, five large, old-fashioned pen nibs stand in a curved line, their tips in the ground. Anne Neil’s sculpture, Memory Markers, commemorates the history of this site, which includes the Supreme Court. Taking this sculpture as an emblem of writing, which in the context of its setting highlights the relationship between literature and law, this article explores the image of the pen in the ground. As a symbol of literacy, it evokes the powerful network of discourses—particularly law, science and religion—that underwrote the imperial project. It signals, in Michele Grossman’s terms, “the event of literacy [that] radically interrupts and disrupts—but never eliminates—pre-existing Aboriginal epistemologies”. The article goes on to explore the sculpture as a symbol of the assertion of jurisdiction, the speaking of law in and over colonised space. It analyses a group of written texts associated with this site, from colonial legal assertions of jurisdiction over Aboriginal people in Edward Landor’s The Bushman (1847), through a proclamation under the Aborigines Act 1905 (WA), to Stephen Kinnane’s Indigenous family memoir of life under that act, Shadow Lines (2004).     

判断纸张折痕与写印字迹先后次序的实验研究

添改文件属于变造文件的一种,在污损文件检验中占据重要地位。对一份疑似添改的文件进行真伪识别,不仅要看形成文件的物质材料的理化性质是否遵循其正常的变化规律,还要看整份文件的形成过程是否符合正常的行文程序。由于各种色料与纸张折痕交叉,不同形成次序时交叉部位呈现出来的表观特征存在差别,因而能够根据这种差别判断色料与折痕形成的先后次序,进而为确定一份可疑的文件是否存在添改事实提供依据。