后"伊斯兰国"时期恐怖意识形态蔓延:一个新的讨论框架

当前，国际联军打击“伊斯兰国”战事已进入尾声，然而，地面战场的失败并不意味着“伊斯兰国”思想的消亡。从萨拉菲-吉哈德主义极端意识形态发展脉络框架下考察，“伊斯兰国”在这一思想脉络中的独特历史地位塑造了它当前与未来的思想发展方式。国际社会需要认识到，当前反恐战争所面对的“战败者”可能并不认为自己已经失败，其意识形态过去近半个世纪危机式发展赋予了“伊斯兰国”面对失败的独特抵抗能力。“基地”组织在2011年被击溃后的历史也证明，在可预见的未来，“伊斯兰国”将很有可能继续在扩大其基本怀旧式叙事、赋予战败以合法性的同时，还将通过“全球恐怖商标”下的“特许经营”模式，将一种“暴力即思想”的恐怖思想内核进一步扩散并升级。国际社会打击“伊斯兰国”战争，可能刚刚到一个需要进行“中期评估”的时候，这场战争远未结束。     

当代文学女性创伤叙事的三个维度

女性创伤叙事具有独特而重要的价值。作为文化记忆的创伤、作为认同困境的创伤和作为个体体验的创伤是当代女性创伤叙事的基本图景。那些具有大事件性质的“缠绕式”的创伤是历史的骨架和关节；历史演进中各种新的创伤是具有时代症候的特质呈现；历史和时代之外的个人创伤构成历史骨架之外的血肉和脉络。当代文学的女性创伤叙事呈现出三个可能的维度，从女性创伤出发，又超脱出性别的界限，将女性创伤叙事的视野和层次提升到两性、国民甚至人类的高度，形成一种现实主义的人文情怀，显现出更为广阔的形态。     

快感的考古消费:文博类文创产业的产品特性研究

中国文创产业发展到今天的水平,应当重视产业细分与产业细分条件下产品特色的开发问题。对故宫文创业的个案进行“知识考古学”研究和考察的结果表明,文博类文创产品的基本特性为快感的考古消费,快感消费为产品经济面向的一端,考古则显示了该类产品的文化内涵。它通常包含了知识性、叙事性、场景性的精神内容。所谓知识性将涉及教育、权威、权力批判等几个方面的内涵;叙事性包含文本性、历史秩序性和可阐释性等内容;场景性则通过展演、姿态的造型等凸显。     

A Study on Localization Narrative of History Novels in the New Period

Since the May 4th movement, Chinese New Literature localization and nationalization of the task did not complete, narrative from traditional literature presents the obvious fracture. In the new period historical novels and actively explore the localization of narrative: narrative style from the historical biography and kingdoms; the second is the narrative theme inheriting classical motif; the third is the ancient writings in classical style of narrative language use, inheriting and developing traditional narrative construct with national characteristics of the history novels, and becomes art model of in the context of globalization.     

Our wildest imagination: violence,narrative, and sympathetic identification

ABSTRACT

At this polarizing moment in American politics identifying with the experiences of others feels especially difficult, but it is vital for sharing a world in common. Scholars in a variety of disciplines have argued that narratives, and especially literary ones, can help us cultivate this capacity by soliciting sympathetic identification with particular characters. In doing so, narratives can help us to be more ethically and political responsive to other human beings. This is a limited view of the potential for narratives to solicit sympathetic identification, and it prevents us from identifying and grappling with our resistances to identifying with others. In this article I propose a more expansive view – inspired by Elizabeth Costello, a character in JM Coetzee’s novel of the same name – that there are no bounds to our capacities for sympathetic identification. Through critical readings of Waiting for the Barbarians and Animal Farm I explore the possibility that we might identify with people who cause others to suffer, and perhaps even with animals too. Both sorts of identification engender fierce resistance. Identifying with those who cause suffering demands that we grapple with our own capacities for cruelty and violence. Identifying with animals demands that we confront what is animal in ourselves – the perilous instincts that, unmoderated, incline us to aggression. Acknowledging and working through – without rejecting or disavowing – our capacities for cruelty and our animal instincts is necessary for the practices of sympathetic identification upon which sharing a world depends.     

‘No toques mi pelo’ (don’t touch my hair): decoding Afro-Cuban identity politics through hair

ABSTRACT

People across the African Diaspora have developed a complex socio-visual-language system of hair as a means of self-expression; however, the decades of economic sanctions in Cuba generated a unique political dynamic that has shaped concepts of self-image and cultural expressions. Sixteen Afro-Cuban women were interviewed about the cultural significance of their hair using The Guided Hair Autobiography methodology. Participant themes included aesthetic pride and confidence, hair bullying and embarrassment, and hair damage and distress. A Cuban cultural critique underlines how Afro-Cuban women have been socialized to have a bias towards straightened long hair over tightly coiled hair textures. These findings suggest that despite the ‘raceless’ political revolutionary spirit infused into Cuban cultural ideology, people of African descent process racial politics and identity through hair.     

Ukraine’s journey to Europe: strategic macronarrative and conceptual metaphors

ABSTRACT

Informed by strategic narrative theorisation and cognitive metaphor theory refined and expanded, this paper analyses textual and pictorial instantiations of cognitive metaphors used to describe and explain the trajectory of Ukraine’s development and form a particular narrative of this movement. Both narrative and cognitive metaphor are considered as tools for navigating experience and serving to construe its subjective images. The study focuses on the ways these tools were used by Ukrainian print media (eight influential outlets) in 2016. The outcomes demonstrate how a coherent strategic macronarrative of Ukraine’s course of development emerges from metaphoric images that survive semiotic mode changes, alternating between textual and pictorial. The macronarrative is that of Ukraine on a hero’s journey towards the European Union – a journey with political and economic implications for both Ukraine and the EU.     

Adaptive strategies of smaller foreign investors in the Russian agricultural sector: identity,narrative and performance

This paper utilises a qualitative narrative analysis approach to examine smaller foreign investors operating within the Russian agricultural sector as private farmers: the foreign versions of the krestyansko-fermerskiye khoziaistva (peasant farms) that were the early focus of agrarian reform. With difficulty experienced by foreign investment in Russian agriculture, and with the Putin administration shifting its focus to larger scale agriculture, interest lies in the fate of these smaller foreign investors, set in the broader question of: ‘Is there really a future for smaller foreign investors in Russia?’ The investors were aligned along a performance and narrative spectrum, and the construction of their identities – guided by their adaptive processes on the ‘Turnerian’ frontier – were found to shape their business conduct, and interactions with labour forces and regional authorities. Negative prejudgment of the labour force existed amongst the investors – with associated negative notions of trust, inefficiency, laziness, morality, and sexual deviancy – and they were involved in explicit or ambiguous forms of gift-gifting, drawing parallels to Soviet blat behaviour. This paper concludes that despite efforts to construct identity, the narratives of the investors betrayed themselves in certain aspects, with elements of ‘undoing’ in the identity process.     

Contested narratives of encounter from a bridge-building project in northern England

ABSTRACT

Recent years of community engagement under the war on terror in the UK have seen the co-option of bridge-building initiatives into wider narratives of securing communities. Through ethnographic insights into a peace building inter-faith initiative that made it onto the news as a ‘deradicalization’ workshop, I show how encounters in such projects are susceptible to being reframed into the very narrative in which encounters are sought after in the first place as a political settlement to growing inter-ethnic tension and conflict. This paper contributes to the growing geographies of encounter literature by making more explicit the narratives that shape how encounters function.