台湾政治文化社会“乱象”讽喻下的赖声川戏剧美学建构

赖声川的戏剧创作在海峡两岸乃至整个世界华语剧场都具有极高的声誉。他的戏剧作品在对台湾社会生态“乱象”的讽喻中，彰显出隐喻性和结构性的交织、荒诞性和严肃性的互文、喜剧性和庄严性的变奏的戏剧审美理念，表达出对当代两岸政治文化场域的独特读解与阐释：在这一场政治文化社会“乱象”之“病”里，“药”就是隐喻在碎裂的戏剧结构中的和谐与统一；就是沉淀在戏谑的轻浮中的严肃和宏大。这是台湾文化在对中华文化寻根、追溯、汇融、对语的过程中，对自我话语和个性的隐秘阐述，但其“趋同”的美学意象建构是明晰而笃定的。     

Diving into the Wreck: Aesthetic Spectatorship at the Fin-de-siècle

Abstract

The popularity of films like Titanic betokens a massive shift in the nature of aesthetic spectatorship in our time. The contemplative, distanced viewer who is able to judge from afar the spectacle before him or her, has been replaced by a more proximate, involved "kinaesthetic" subject whose body is stimulated as much as his or her eye. This is evident not only in mass culture with amusement thrill rides and the return of what has been called the "cinema of attractions"; this new spectator can also be discerned in avant-garde culture, as shown by the Sensation exhibition of Young British Artists which caused such a stir in London and New York. This spectator is especially attracted to simulacral scenes of destruction and catastrophe, in which he or she is virtually immersed. If aesthetic judgement is to be a model for its political counterpart, as has been argued by theorists like Lyotard and Arendt, it cannot do so on the basis of this aesthetics of violent immersion.     

Schleiermacher and Post-Metaphysical Thinking

Abstract

Schleiermacher rarely features in the now widespread discussion of the relevance of the German Idealist and Romantic traditions for contemporary philosophy because he has mainly been regarded as a theologian and theorist of textual interpretation. This essay shows that his most important philosophical work, the Dialectic, involves many ideas concerning truth and language which are generally regarded as belonging to what Habermas terms ‘post-metaphysical thinking’. Schleiermacher's views of truth and language are contrasted with those of Habermas and Rorty, and are seen as being of more than merely historical interest. His reflections on self-consciousness are shown to raise important questions for contemporary accounts of the relationship of the subject to language.     

红塔集团开发天文地理旅游项目的建议

红塔集团在抓住西部开发机遇,发展特色旅游业,具有深远战略意义.尤其应开创发掘天文资源,服务地方旅游.中国古代天象体系是一个天、地、人的和谐系统;等级森严的华夏天人观产生了龙的传人的巨大凝聚力.现代天文学研究表明,天体的音乐、天体的舞蹈等发现,这是古代星座神话天象体系置换变形的自然结果.     

身体：由缄默的“他者”变为自在的“歌者”

在中国几千年的封建社会里,女性身体一直受到男权中心文化的歪曲和盗用.当女性开始发出自己的声音时,身体对她们而言仍是个难以把握的"雷区".只有在女性的躯体被看成与女性的主体具有统一性时,"身体写作"才终于浮出了水面,女作家才得以以主体的眼光充满自豪地对身体进行审美的阐释.     

王国维美学与20世纪中国美学

王国维美学对20世纪中国美学有重要的影响和启示.在社会变革的历史关头,主流美学占据主导地位,不等于非主流美学没有自己的一定地位,它们都在发生影响,只是影响的范围、程度有别.把20世纪中国美学的开山大师与其后的美学家比照,我们就会发现美学在中国发展中的起伏轨迹,尤其是非主流美学家命运的悲剧性,这种悲剧性是学科本身的必然的悲剧性.     

论理学家"气象"说的美学意蕴

“气象”是一个兼具文学、美学与文化品格的范畴。与文学家主要把“气象”运用于文学创作、主要指诗歌的整体艺术风貌不同,理学家则多指作品中所透露出的作者的人格精神,提倡孔颜式的脱略世故、超然于富贵功名之外的精神风貌。因此,重视“气象”,充分体现“圣人气象”的“寻孔颜乐处”成为了宋明理学的核心问题,而熟观圣人之气象是实现“学至圣人”修养目标最重要的方法。     

论公安院校警务化管理与审美教育

公安院校是培养训练公安民警的重要基地,在实行警务化理中对学员进行审美教育有特殊的意义。通过对学员各种行为的总体规范贯彻从严治警、从严治校的方针,建立美的秩序,进而探寻美的真谛,提升生命价值,以造就新一代共和国卫士。