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981.
杨卫红 《陕西行政学院学报》2013,(1):104-108
在上一轮西部大开发政策的支持下,陕西经济社会发展取得了巨大成就。新一轮西部大开发的税收优惠政策虽已明确,但对于陕西来说,这些政策还应着重在支持陕西发展优势,支持陕西经济发展薄弱环节的税收优惠政策上,以及在宏观层面支持陕西经济社会发展的税收政策等方面予以完善。 相似文献
982.
983.
近年来,在反思"全球化"理论的过程中,"本土化"问题的提出确实带给了我们重新认识现代文学自身的机会。但是,由于"本土化"理论模式"化"他者理论为己用的先天缺乏研究者"主体性"的缺陷,使得"本土化"理论在面对什么是新文学真正的中国特质这样根本性的问题时显得乏力,而"民国文学机制"问题的提出,刚好弥补了"本土化"理论的缺陷,以突出历史情境为切入口,强调研究者的"主体性",为塑造中国自己的文学研究思维打开了一扇窗。 相似文献
984.
985.
循证矫正是一种矫正罪犯的新理念、新方法,当下中国引入这一理念和方法,必须充分理解“循”与“证”的内涵,正确认识循证矫正在我国罪犯矫正领域应用的实践价值,科学设计我国循证矫正实践推进的可行性方案. 相似文献
986.
In recent decades, the criminalization of immigration and the use of private prisons have increased in popularity. The criminalization of immigration and the privatization of prisons work hand in hand in shaping the American criminal justice response to immigration. Privatization creates a powerful opportunity for the social construction of the undocumented immigrant into a powerful potential source of revenue for for-profit corporations. Private prison corporations, such as Corrections Corporation of American and The GEO Group, stand to profit significantly from the private immigration detention center. Several investigative reports have focused on how these companies stand to profit, but little attention has been given to the psychosocial consequences that impact immigrant detainees and their families. 相似文献
987.
Maria De La Torre 《Contemporary Justice Review》2013,16(2):264-279
How do immigrant Mexican workers perceive the policies and social discourses that regulate their insertion into American society as noncitizens and illegals? Using ethnographic fieldwork and in-depth interviews, evidence is presented that unauthorized Mexican migrants do not consider themselves lawbreakers but rather moral actors responding to difficult socioeconomic conditions. Informed by a keen understanding of the social forces oppressing them, these migrants articulate a discourse of social justice that works as a powerful counterpoint to the hegemonic ideas of citizenship, belonging, and illegality. A careful analysis of migrant social reflexivity offers a much-needed corrective to the prevailing top-down perspective typically offered among contemporary scholars. By looking at the ways in which migrants make sense of immigration policies and articulate their right to have rights, this examination departs from the widespread tendency among scholars and policy makers of analyzing the migrant’s social and civic status as a matter of assimilation and immigration control. 相似文献
988.
Core Consensus,Strategic Variations: Mapping Arts Management Graduate Education in the United States
Ximena Varela 《Journal of Arts Management, Law & Society》2013,43(2):74-87
This study is the first comprehensive curricular comparison of graduate arts management programs in the United States. Its principal finding is that there exists considerable curricular convergence among arts management programs and that their differences may be exploited strategically. Through extensive curricular analysis and in-depth conversations with faculty, this study makes both conceptual and methodological contributions to the field—conceptual because it provides an empirical basis for the definition of arts management as a formal academic discipline in its own right and methodological because it proposes a framework to effect a systematic comparison of arts management program curricula. 相似文献
989.
This article examines the feasibility and sustainability of digital technology to promote cultural heritage sites in the City of Tshwane (CoT), South Africa. Post-Apartheid development imperatives compel the CoT to construct new cultural sites. Over time, the number of visitors to the places declined. The CoT introduced digital technology to collect and repackage information on some of the cultural edifices to add value to them. However, the absence of heritage/digital technology impact analysis and cultural policy in the CoT could compromise the program. The article recommends further introduction of important facilities and services in the sites to increase public interest. 相似文献
990.
James H. Billington 《Journal of Arts Management, Law & Society》2013,43(2):101-117
Reported is a study that focused on the Millennial Generation and potential differences in viewing an exhibition in person versus online. The exhibition featured the artwork of Paul-Henri Bourguignon, whose extensive body of work includes a variety of paintings and drawings that employ a wide range of styles. Some viewers traveled to the physical space of a museum gallery, while others viewed reproductions of the same works on the Internet. Informants engaged in reflexive self-interviews using Dervin's Sense-Making Methodology. The authors compare viewers’ responses to works experienced in person versus online and discuss implications. 相似文献