马克思主义经典作家权力制约思想及其当代发展

马克思、恩格斯批判地继承了人类社会的文化遗产,科学地提出了自己的权力制约思想;列宁在领导苏维埃俄国的革命和建设中,为避免权力的腐败和滥用,也提出了自己的权力制约思想。在当代中国的现代化进程中,中国共产党几代领导人继承和进一步创新发展了马克思主义经典作家的权力制约思想。在当前新形势下,权力制约的战略构想又有了新的特色。     

论文字作品的冒名侵权

署名权的法律意义之一在于明确作品的权利归属、维护作品创作的特定风格。冒名侵权作为一种新的侵权形态,具有形式上的合法性、主观上的故意性、侵权对象的特定性和行为上的隐蔽性等特点,其实质是以不知名的某特定主体的姓名或署名(与知名作家的姓名或署名完全相同)冒称知名作家的姓名或署名发表、出版、复制、销售作品的侵权行为。冒名侵权的构成要件包括知名作家权利受损事实的存在、以知名作家为侵害对象、隐性的外在冒名行为和有冒名的故意等几个方面。现行著作权侵权救济法律制度有其不周延性,只有建立和完善著作权登记制度,充实现有的著作权法规,增加作者或著作权人署名的特定附随义务,才能有效地防止冒名侵权行为的发生、保护知名作家的署名不被冒用,激发创作者的积极性和创作潜能的充分发挥。     

《陕西行政学院学报》2005-2009年载文信息统计研究

以《陕西行政学院学报》2005-2009年共20期为数据源,运用文献统计方法对载文信息进行定量、定性统计研究,从不同角度、多个层面反映《学报》的载文稿源情况、载文质量、作者信息、选题组稿重点、栏目设置等系列数据,归纳总结期刊载文内在的规律性,为进一步提高刊物质量提供科学的量化依据。     

The Trouble with Moral Rights

It is usually argued that moral rights are severely handicapped by their inconsistent entrenchment in common law and civilian legal systems. This article argues that the main trouble with moral rights protection is that the justifications for the existence of these rights are riddled with internal inconsistencies generated by the vagaries of copyright exploitation. Harmonising moral rights protection or using moral rights justifications cumulatively may not resolve the theoretical inconsistencies. Copyright protection must therefore be seriously overhauled if moral rights are to be widely perceived as vehicles for protecting authors' rights.     

"编辑权"与媒体作者队伍建设--从《申报》副刊《自由谈》说起

"编辑权"的效益能否最大化,完全取决于"编辑权"的控制者和占有者是否具有足够的眼光和勇气抓住"恰当",并通过编辑策略"投其所好"地吸引作者.有了"恰当"地"投其所好",自然而然就能够吸引作者.因为作者对编辑的最大期望无非是充分的"发言权",只要给予其足够广大的言语空间,就可以轻易赢得作者.     

法律阅读的秩序

对于法律阅读的秩序 ,作者和读者有所不同。立法者阅读的秩序可界定为发现公理和法律的秩序。不同类型的读者在法律阅读中的秩序要求不同 :民众是在法律中发现自己的利益 ;法律家旨在法律的公平运用 ;法学家是要找出法律的应然和实然的内在关系。秩序中的阅读不仅因为人们对安全和秩序地生存的主观动机而产生 ,而且因为法律本身作为人类秩序的载体而形成。法律是自由、秩序、正义之诗。     

精神权利研究——以署名权和保护作品完整权为主轴

人类学的研究成果认为 ,精神权利的观念已经久远 ,但精神权利的制度化却是近代西方的产物。对争议中的冒名行为 ,笔者认为乃是属于侵害作者署名权的行为。我国法上有关保护作品完整权的规定尽管构造合理 ,但失之偏颇。通过比较法上的研究 ,笔者提出了完善我国法的建议。     

Beyond the literary veil – Women writing Africa: The northern region (2009)

Abstract

Whenever African literature is discussed there is an articulated incorrect assumption that this relates to all the regions of Africa, except North Africa. A related further assumption is that only men in North Africa write. Female writers from the North barely receive critical attention, although they have been writing creative works. The aim of this article is to dispel the notion of literary drought when describing North Africa. Using the text, Women writing Africa: The northern region, the article demonstrates the different sensibilities that female authors in North Africa have created and manifest, when writing against patriarchy as well as against ideological philistinism within their communities. It is argued that female authors from North Africa – African-Arab women – are versatile in their imaginations as they engage with social reality from the perspective of creative art as well as political discourse. The article concludes that this assertion removes the literary veil so that North African female authors can begin to be appreciated artistically, more than has been the situation up to now.