Questioning western universality: Sōseki's Theory of Literature and his novel Kusamakura

Focusing on the relation between the literary theory and the novels of modern Japanese writer Natsume Sōseki (1867–1916), this article argues that we need to include more ‘non-Western’ theories in the discussions of world literature. Furthermore, it concludes that a world literature contextualization of Sōseki's theory helps explain how his novels critically negotiate the influences from Western literature in Japan. By comparing Sōseki's theoretical and literary writing, this article shows continuity between his Theory of Literature and his novel Kusamakura, arguing that both question Western universality in defining literature. In other words, the comparison stresses Sōseki's continued preoccupation with understanding the transformation of literatures due to global interaction. During the modern period, such transformation was probably nowhere more conspicuous than in Meiji Japan, where not only society but also its literature was rapidly changing.     

Crisis ideology and the articulation of fascism in interwar Japan: the 1938 Thought-War Symposium

In early 1938, the newly formed Cabinet Information Division (Naikaku jōhōbu) held a closed-door Thought-War Symposium (Shisōsen kōshūkai) in Tokyo with over 100 bureaucrats, military officers, media executives and academics in attendance. While the ostensible purpose of the symposium was to discuss propaganda following Japan's full-scale invasion of China in July of 1937, the presentations had very little to do with the practical coordination of information. Rather, the symposium participants brought their specific areas of expertise to bear on elaborating the curious term ‘thought war’ (shisōsen), a term that had only recently been used with any regularity but which had become invested with critical urgency following the invasion of China.

In the conventional literature, the term ‘thought war’ is understood as marking a new modality of state propaganda as Japan moved towards a total war system. However, this reading overlooks the ideological investments in thought war discourse, as well as how ‘thought war’ inherited a multivalent sense of crisis that had crystallized around thought and culture earlier in the 1930s. In this article, I explore how the 1938 symposium reveals a combined sense of historical crisis and an urgent call for the total overhaul of Japanese state and society, a combination which, I argue, underwrote the development of fascism in Japan. I trace how three earlier discourses of crisis – the ‘Manchurian Problem’, the ‘thought problem’ and the ‘movement to clarify the kokutai’ – converged within thought war discourse, thus investing it with fascist urgency.     

Visual representation,editorial power,and the dual ‘othering’ of black men in the South African gay press: The case of Gay Pages

Abstract

This article considers some of the ways in which black gay men are marginalised within the queer community and have limited ‘visibility’ in mainstream queer visual culture. The formation of a minority within a minority (or the ‘other’ Other) is ultimately what the article sets out to expose. Thus, we argue that images of black gay men are far less ubiquitous than, for example, those of white, male and middle-class gay men. In order to illustrate this, a purposive sample from the South African gay men's lifestyle magazine Gay Pages is considered and critiqued. We argue that the visual mode of Gay Pages gives the impression of promoting a hegemonic gay male identity. This identity appears to be ‘natural’, but is in fact one-sided and stereotypical, as are most cultural constructions and representations. The narrow and limited representation of gay men endorses an exclusive, homogenous and inaccurate portrait of the queer constituency (in the minds of heterosexual and gay South Africans alike) and suggests the question that leads this investigation: If ‘belonging’ is articulated through the consumption of queer culture, what then of those queers who do not fit the ‘mould’ standardised by mainstream gay print media? This exploration of queer visual media deals not only with that which is frequently represented (white homomasculinity), but also, more significantly, with that which is not (black homomasculinity).     

The masochist's masquerade: Kōno Taeko's ‘Beautiful Girl’ (Bishōjo)

Kōno Taeko is notorious for her literary masochism, which critics tend to read solely through the narrow lens of psychoanalysis. This article contends that we gain new insights into Kōno's literary life and corpus when historical contexts are also brought to bear. In reading closely ‘Bishojo’ (Beautiful Girl, 1962), a story that appeared at the same time as Kōno's most famous award-winning stories in the early 1960s, I contend that Kōno's fictional world can best be grasped with attention to two key factors: the impact of Kōno's wartime girlhood on her fiction; and, in ‘Bishōjo’ in particular, the Occupation Period (1945–1952) context, which serves as more than mere background to the story's revenge plot. Girls, or shōjo, form the core of the story and expose the disavowed shōjo at the core of protagonist Shōko's psyche. To survive, Shōko must cloak her masculine strengths in a masochistic masquerade indistinguishable from femininity itself. She threads her masochistic masquerade between two abusive men whose efforts to humiliate her cannot be separated from the national Occupation context and postwar masculinity. Finally, this essay demonstrates that Kōno's masochism functions as a literary technique for constructing subjects differently by gender in historical contexts, thereby exposing the psychic distortions that only fiction, as a light into the darkened interior world of human beings, can illuminate.     

Japanese revisionists and the ‘Korea threat’: insights from ontological security

Abstract

This article contributes to the debate on Japanese security. Drawing on insights from ontological security, it challenges conventional understandings that China and North Korea are Japan’s main security threats. It argues that South Korea poses a powerful threat to the Japanese right-wing revisionists’ perception of Japan. The revisionists have attempted to secure Japan’s identity from the ‘Korea threat’ by labelling South Korea a ‘non-democracy’, and this tactic has been taken up by the Japanese government as well. The article concludes by pointing out that such moves could unwittingly result in the emergence of security dilemmas between the two main democracies in Northeast Asia.     

Narratives of collapse and generation: Komatsu Sakyō's disaster novels and the Metabolist movement

Abstract

In the summer following the earthquake, tsunami and nuclear disaster of March 2011, the Mori Art Museum in Tokyo opened the exhibition ‘Metabolism: The City of the Future’, a major retrospective of the works of architects, designers and critics associated with the Metabolist movement. As suggested by its subtitle ‘Dreams and Visions of Reconstruction in Postwar and Present-Day Japan’, the exhibition provided a unique opportunity to examine the legacy of postwar Japanese avant-garde architecture and city planning, in the context of the serious questioning of Japan's future direction regarding the built and natural environments, life styles, and social structures following the triple disaster.

This article examines the writings and designs of the Metabolists, as well as the works of science fiction and disaster novel author Komatsu Sakyō, who collaborated with a number of Metabolist architects in the preparations for the 1970 Osaka Expo. Like the writings of the Metabolists, Komatsu's works, such as the seismic disaster novel Nihon Chinbotsu (Japan sinks, 1973), expose new links between the built environment and the geological and biological environments, pointing to both the vulnerability of the human domain as well as its generative and adaptive capabilities. In the process, Komatsu's works both critique and reproduce elements of the Japanese postwar reconstruction ethos, while offering avenues for re-imagining the future through dramatic inversions of center and periphery. I will argue that Metabolist works and Komatsu's novels challenge us not only to expand our imagination of both construction and catastrophe on a grand scale, but also to see isomorphic patterns and triggering events on the molecular level – a multi-scaled vision that could be generative in imagining the future beyond the disasters of March 2011.     

Children's rights in a risk society: the case of schooling in Japan

The purpose of this paper is to examine the ongoing discourse on children's rights and related attitudes towards individualisation and risk in contemporary Japan's education system. The paper is also interested in how this discourse is translated into concrete change. The concepts of ‘children's rights’ and ‘risk society’ both have their origins in Western conceptions of the relationship between the individual and society, and the place of children and young people in that society. This paper explores the way that these concepts have been transformed by their adoption into domestic Japanese discourse on education reform. After a discussion of how the classical liberal concepts of positive and negative human rights can be applied to the specific case of children's rights, the discussion moves on to show how this debate has developed in Japan since the 1980s. Then the paradigm of the ‘Risk Society’ is introduced and the concepts of ‘positive risks’ and ‘negative risks’ are explored, first with reference to schooling in Western countries and then in relation to Japan. Finally, the relationship between risk, rights and neoliberalism is discussed, and it is shown how Western notions of individualisation have met strong resistance from various actors on both sides of the political spectrum. In the case of the Japanese education system, the shift of responsibility from state bureaucracies to individuals and private-sector organisations that is predicted by Risk Society theory has only partially taken place.     

Science,society and the sea of fertility: new reproductive technologies in Japanese popular culture

Since the late twentieth century, assisted reproductive technologies have brought new challenges to our understanding of the family and gender relations. There are ever-widening gaps between medical practice, legal regulation and everyday understandings and practices. Some recent popular cultural texts in Japan have explored the issues raised by non-commercial surrogate motherhood. The background to these texts is a series of controversies concerning surrogacy and the use of assisted reproductive technologies and wider societal anxieties about family, reproduction and population management. In this article, I will focus on two novels by a medical practitioner and popular novelist who writes under the pseudonym Kaidō Takeru – Gene Waltz (Kaidō 2008) and Madonna Verde (Kaidō 2010) – and the associated film (ōtani 2011) and television series (NHK 2011). The fact that it was the national broadcaster Nippon Hōsō Kyōkai (NHK) that dramatised Madonna Verde suggests that the discussion of these issues was thought to have wide social and cultural resonance. I will place these texts in their social and cultural context with reference to medical, legal and popular discourses on new reproductive technologies in contemporary Japan. These new reproductive technologies have the potential to force a rethinking of masculinity, femininity, parenthood, family and gender relations. The popular texts also, however, draw on pre-existing ways of thinking about masculinity, femininity, marriage, reproduction and the relationships among science, ‘nature’ and society.     

The realism debate and the politics of modern art in early postwar Japan

This article examines the realism debate (riarizumu ronsō) that took place between 1946 and 1950 as a forum in which ideas on artistic form, the role of the artist in society, and the social relevance of art come into focus in a way that allows us to see how questions such as Japan's modernity, the recent experience of fascism, and the challenges of rebuilding culture during the early cold war were taken up by leading cultural figures in the field of the visual arts. Occurring alongside discussions of how the art world could be reformed to avoid the failures of fascism, the debate served as an occasion to re-examine the history of modern art in Europe and Japan and to consider the question of artistic representation in a way that opened the most fundamental question of art's relationship to the world and promised to begin the process of envisioning it anew. The debate involved three camps which I label social realism (represented by Hayashi Fumio and Nagai Kiyoshi), modernist realism (Hijikata Tei’ichi), and avant-garde realism (Uemura Takachiyo, Okamoto Tarō, and Hanada Kiyoteru). While assessing their points of agreement and disagreement, I argue that the debate set the stage for debates in the 1950s and beyond.     

From volunteers to voluntours: shifting priorities in post-disaster Japan

This paper analyses the emergence of post-disaster ‘voluntours’ following Japan's 2011 disasters. An overwhelming, yet haphazard volunteer response to previous disasters spurred extensive collaboration between the state, relief organizations, and would-be volunteers in the wake of 3.11. However, when mapped onto to the massive devastation of the 3.11 disasters, this collaboration almost immediately turned many post-disaster volunteers into ‘voluntourists’, a problematic category commonly associated with visitors from the Global North volunteering for social and environmental causes while on holiday in the Global South. Japan's post-disaster voluntours demonstrate how uncoordinated and potentially risky volunteers have been channelled into a carefully-controlled and long-term response that satisfies people's desire to help disaster victims, while ultimately encouraging tourism (sans volunteering) as the most desirable form of disaster recovery assistance. This shift toward voluntourism potentially undermines post-disaster volunteering and threatens to trap parts of Tōhoku, like other disaster sites, in a position of permanently ‘post-disaster’.     

Rearranging the figures on the tapestry: what Japanese direct translation of European texts can tell us about kanbun kundoku

Abstract

From the earliest stages of reading and writing in the Japanese archipelago, the methodology of kanbun kundoku (vernacular reading of literary Sinitic) has been an important means of engagement with Chinese texts. The kanbun kundoku process of glossing and syntactic rearrangement transforms a literary Sinitic source text into a kind of ‘translationese’ that preserves as closely as possible the diction and structure of the original while making it accessible to readers who may have little or no competence in spoken varieties of Chinese. Yet whether this process should be understood as fundamentally a form of translation is a matter of debate among scholars. In this article, I argue that looking at the early modern phenomenon of ōbun kundoku, by which Japanese scholars applied kundoku methodology to European languages (including Latin, Portuguese, Dutch and English), can offer a valuable perspective. These forms of direct translation are an important although comparatively under-studied aspect of Japanese encounters with European texts and they offer an instructive perspective on kanbun kundoku: the longstanding Japanese method of engagement with foreign-language texts that was their inspiration. The theoretical writings of Japan’s early modern scholars of Dutch unmistakably acknowledge a basic commonality between these two forms of kundoku while also clarifying the ways in which the application of kundoku to European languages was distinct from application to literary Sinitic.     

Japan's political trust deficit

Abstract

This introductory article to the special issue on ‘Trust and Mistrust in Contemporary Japan’ lays out key trust concepts used in social science research. It then turns towards the Japanese case, summarizing important research on the notion of trust and Japanese politics and society, according to which trust levels are comparatively low. The subsequent part provides an overview on the case studies that scrutinize issues related to political trust in particular. As the contributions invariably point to low levels of political trust, we finally reflect on problems in Japan's politics in relation to the notion of trust.     

The daiku phenomenon: social and cultural influences of Beethoven’s Ninth Symphony in Japan

In the rude awakening of western colonisations in Asia during the nineteenth century, Japan drastically embraced the ‘better and more modern’ western values towards the end of that century—which began with the Meiji Restoration (Meiji Ishin [ ]). Since the nation began frantically learning everything Western—while keeping its traditional values at heart, Beethoven’s Ninth Symphony ‘Choral,’ or daiku as it is known in Japan, has been present throughout the turbulent twentieth century. The social and cultural phenomenon known as nenmatsu-no daiku ([ ] A countless number of annual year-end Beethoven’s Ninth Symphony concerts held throughout Japan each year.) is the subject under scrutiny in this paper. Japan’s almost desperate pursue toward westernization and the much-debated Japanese cultural trait, the ‘groupism’ mentality would make the existence of the daiku phenomenon appear to the bewildered outsider as a horrendous mix of the two elements, but is that simply so? Evidently, the sudden influx of western cultures and ideologies from Europe and the U.S.A. is in great part accountable for the continual and prevalent existence of the daiku in modern Japan. However, we must not overlook the underlying home-grown factors, which have kept the phenomenon well and alive even today. This paper intends to discuss the historical background leading to this phenomenon and present a summary of what daiku is, giving examples of different types of performances as a result of the phenomenon. An attempt will also be given to examine the significance Beethoven’s Ninth has for the Japanese in both social and cultural contexts.     

Apologies in International Politics

This article examines the growing conventional wisdom that apologies and other acts of contrition are necessary for international reconciliation. I create and test a theory that connects a country's remembrance with that country's image—threatening or benign—in the eyes of former adversaries. I evaluate the theory in two post-World War II case studies: South Korean relations with Japan and French relations with Germany.

This article offers three major findings. First, it substantiates the claim that denials inhibit reconciliation. Japanese denials and history textbook omissions have elevated distrust and fear among Koreans (as well as Chinese and Australians). Second, although whitewashing and denials are indeed pernicious, the conventional wisdom about the healing power of contrition must be seriously reconsidered. Evidence from the Japanese and other cases suggests that contrition risks triggering a domestic backlash, which alarms former adversaries. Finally, there is good news for the prospects of international reconciliation: countries have reconciled quite successfully without any contrition at all. West Germany actually offered very little contrition at the time of its dramatic reconciliation with France; many other countries have restored close and productive relations without contrition. The best course for reconciliation is to remember the past in ways that are unifying, rather than divisive, and minimize the risk of backlash.     

Disquieting growth: urban space in Kawashima Yūzō's film Suzaki Paradise Red Light

This article examines how Japanese postwar cinematic texts manifest and comment upon contemporary political and economic events, and considers the usefulness of cinema for a more complete historical understanding of the period. In particular, it argues for the significance of fūzoku eiga, or ‘films of customs and manners’ by analyzing a representative text of that genre, Kawashima Yūzō's 1956 film Suzaki Paradise Red Light. Although Kawashima's film has been treated as an apolitical melodrama, a close textual analysis reveals it to be a counter-narrative to the success story of postwar economic recovery and growth that the Japanese state sought to promote. Key to this analysis is an examination of the urban space of the Suzaki neighborhood in Tokyo, as depicted in the film. Kawashima's tour of Suzaki addresses the issues of the economic stagnation within the metropolis, uneven development, and the liminal space of muen, or ‘no ties,’ which offers a brief refuge from an increasingly disciplined everyday life.     

The West that is not in the West: identifying the self in Oriental modernity

This paper discusses the meaning of ‘the West’ in Chinese and Japanese political discourse. It argues that for Japanese and Chinese political thinkers, the West does not exist in the West. Rather, the West is sometimes at the periphery and, at other times, at the centre. For them, ‘the Chinese’ is about the epistemology of all-under-heaven. There is no such concept as ‘Other’ in this epistemology. As a result, modern Western thinkers depend on opposing the concrete, historical, yet backward Other to pretend to be universal, while Chinese and Japanese thinkers concentrate on self-rectification to compete for the best representative of ‘the Chinese’ in world politics. ‘The Chinese’ is no more than an epistemological frame that divides the world into the centre and the periphery. In modern times, the Japanese have accepted Japan as being at the periphery of world politics, while the West is at the centre. To practise self-rectification is to simulate the West. The West is therefore not the geographical West, but at the centre of Japanese selfhood. Self-knowledge produced through Othering and that through self-rectification are so different that the universal West could not make sense of the all-under-heaven way of conceptualizing the West.     

Securitisation from below: the relationship between immigration and foreign policy in South Africa's approach to the Zimbabwe crisis

The political and economic debacle in Zimbabwe has led to a large-scale influx of Zimbabweans into neighbouring South Africa. This article argues that there is a complex and significant link between the domestic response to this immigration influx and South Africa's foreign policy towards Zimbabwe. South Africa's foreign and security policy elite preferred to use an immigration approach of benign neglect as a tool to promote its ‘quiet diplomacy’ approach towards the Zimbabwean regime, treating the influx as a ‘non-problem’. But increased xenophobic violence, vigilantism and protests in townships and informal settlements against Zimbabwean and other African immigrants, culminating in widespread riots across the country in 2008, contributed to a change not only in immigration policy but also in the mediation efforts towards the Zimbabwean parties. I argue that this foreign policy change was pushed by a process of ‘securitisation from below’, where the understanding of Zimbabwean immigrants as a security threat were promoted not by traditional security elites but by South Africa's marginalised urban poor.     

Militant neo‐Nazism in Sweden

This study examines the emergence of a neo‐Nazi terrorist movement in Sweden, focusing on the largest group, Vitt Ariskt Motstånd (White Aryan Resistance). VAM is inspired by traditional national socialism, the militant wing of the skinhead movement, South African apartheid ideology and, especially, US racist groups like ‘The Order’. Notions of the ‘Zionist Occupation Government’ (ZOG) and the coming ‘racial war’ are central in VAM's worldview. The adaptation of this extreme revolutionary ideology radicalized the group towards terrorism. The quest for status and prestige within the group and vis‐à‐vis other groups has also been an important factor in this radicalization process.1     

‘Weak ally’ or ‘strong enemy?’: Japan in the eyes of Russian diplomats and military agents, 1900-1907

Abstract

At the dawn of the twentieth century, ignorance towards the growing military power of Japan led Imperial Russia to her unexpected and decisive loss of the war of 1904–1905. Just ten years earlier in 1895, Japan was almost half-robbed of the spoils of her victory over China by the Western Powers (including Russia), which insisted on revising the Treaty of Shimonoseki. The Boxer Rebellion of 1899–1901 stopped this confrontation and turned Japan and Russia into allies for a short time: Russian and Japanese soldiers fought together against the Chinese, constituting the two largest units among the five allied troops with Russians playing the leading role on the battlefield and the Japanese being their loyal deputy (as it was viewed by Russian media of the time). All these circumstances led Russia to underestimate the Japanese army in the following years. However, the Russo-Japanese War itself changed that attitude, turning it into a sort of ‘a-next-war-to-be-hysteria’ among the Russian officials who served in Japan after the war. The reports by Russian military agents and diplomats from special collections in the Hoover Institution of War, Columbia University, and other archives used in this paper show us that despite being their government's only ‘eyes’ watching the Orient, sometimes those eyes were ‘blinded’ by the loss in the recent war and by their own experiences. One major reason for this was that many Russian diplomats, military agents and spies had long been serving in the Far East, and for some of them the transformation of Japan from ‘weak ally’ to ‘strong enemy’ status happened so swiftly, they came to overestimate this new ‘peril.’ Another problem was Japanese language skill. In the same way that Russia could not properly predict the growing power of Japan before 1904, she wanted after the war to obtain all possible information about her neighbor and, thus, paid special attention to educating a new generation of oriental specialists.