简论劳模精神与大学生思想政治教育

倡扬"爱岗敬业、争创一流,艰苦奋斗、勇于创新,淡泊名利、甘于奉献"的劳模精神,有助于解决高校思想政治教育中存在的普遍问题。在培育劳动热情、涵养奉献理想、提升集体意识、矫治就业观念诸方面加入劳模精神教育具有特定功效。弘扬劳模精神是加强高等院校思想政治教育工作的重要手段。     

地方工运文摘

弘扬新时期劳模精神的探索与实践翁扬在《上海工运》2006年第3期撰文提出,在新形势下,大力宣传劳模事迹、弘扬劳模精神,对于调动全国人民的积极性和创造性,推动社会主义经济建设、政治建设、文化建设与和谐社会建设,具有重要的现实意义。一、弘扬劳模精神是时代的主旋律。一是弘扬劳模坚定理想信念、以民族振兴为己任的主人翁精神;二是弘扬劳模艰苦奋斗、顽强拼搏的实干精神;三是弘扬劳模克难攻坚、争创一流的进取精神;四是弘扬劳模立足本职、爱岗敬业的奉献精神;五是弘扬劳模团结协作、共创业绩的团队精神。二、建立劳模的管理机制是弘扬劳…     

陕甘宁边区的劳模运动和劳模精神

劳模精神是劳模运动的精神结晶,劳模运动是宣传、弘扬劳模精神的重要途径。中国的劳模运动起源于陕甘宁边区,系统梳理陕甘宁边区的劳模运动及其成就对于理解劳模运动的发轫、劳模精神的起源具有重要意义。陕甘宁边区劳模运动经历了兴起、深入发展及高潮三个阶段,形成了与时俱进的劳模精神。陕甘宁边区劳模运动形成的劳模精神是中国共产党创造的革命精神,是根据地党和人民共同培育的群体精神,是延安精神的原生形态之一。劳模精神孕育了中国共产党艰苦奋斗的优良传统,蕴含着大国工匠精神。     

关于进一步做好劳模管理服务工作的研究与思考

劳动模范是工人阶级的优秀代表,是时代的领跑者,劳模精神是国家的宝贵财富。习近平总书记多次强调,要始终弘扬劳模精神、劳动精神,为中国经济社会发展汇聚强大正能量。随着时代的发展、劳模队伍的壮大,对劳模管理服务工作提出了更高要求。在新形势下各级工会要大力弘扬新时期劳模精神,进一步探索和完善工作机制,切实做好劳模管理服务工作,充分发扬劳模的标杆引领作用,形成学习先进和争当先进的良好社会风尚,推动我国经济社会发展再上新台阶。     

论劳模精神的时代价值

"爱岗敬业、争创一流,艰苦奋斗、勇于创新,淡泊名利、甘于奉献"的新时代劳模精神,继承了中国人民劳动的先进性和创新性、扬弃了资本主义劳动的外化性和异己性、展现了社会主义核心价值观的核心和精髓,体现出了劳模精神承担着对时代、国家、人民的强烈历史担当。探索弘扬劳模精神新途径,实现弘扬劳模精神制度化,必须始终坚持马克思主义在意识形态领域指导地位的根本制度,坚持以社会主义核心价值观引领文化建设制度。     

试析劳模工作中的辩证法

做好劳模工作,在全社会弘扬劳模精神是一项系统工程,它既包括对劳模的选树、培养,又包括对劳模精神的宣传与学习。只有牢牢把握唯物辩证法,客观、全面、辩证、系统地处理好各种关系,才能使劳模工作达到最佳效应。     

东北老工业基地全面振兴中的劳模文化价值探析

东北老工业基地的劳模文化集中表现为以"爱岗敬业、争创一流、艰苦奋斗、勇于创新、淡泊名利、甘于奉献"为本质内涵的劳模精神,是东北老工业基地全面振兴的重要精神资源,应充分发挥其在全面振兴东北老工业基地中的重要价值。使劳模文化融入到政府的建设中,企业的实践中,人才的培养中。把劳模文化融入培育和践行社会主义核心价值观的全过程。     

搭建劳模创新平台助力海淀教育发展

劳模文化是学校文化的核心与精髓,"爱岗敬业、争创一流,艰苦奋斗、勇于创新,淡泊名利、甘于奉献"的劳模精神,是社会主义核心价值观的生动诠释,是时代宝贵的精神财富和强大的精神力量。本文以海淀教育系统贯彻群团工作精神为主线,把握劳模工作时代脉搏,适时大力推进劳模工作的顺利开展,不断探索劳模工作的新思路、新方法和新内容,推动教育系统劳模工作的创新发展。     

突出宣传劳模的先进性和时代性

劳动模范是全社会学习的榜样，劳模精神是我们时代的宝贵财富。做好劳模宣传工作，是激励广大职工不断提高自身素质、充分发挥工人阶级主力军作用、推动经济社会发展的重要途径，是工会工作的一项重要任务。进一步做好劳模宣传工作，在全社会积极营造学习劳模、弘扬工人阶级伟大品格和劳模精神的良好氛围，应突出宣传劳模的先进性和时代性，以更好地贴近时代、贴近实际、贴近职工。     

浅析当前劳动竞赛的难点及对策

翁扬在《上海工运》2006年第3期撰文提出，在新形势下，大力宣传劳模事迹、弘扬劳模精神，对于调动全国人民的积极性和创造性，推动社会主义经济建设、政治建设、文化建设与和谐社会建设，具有重要的现实意义。一、弘扬劳模精神是时代的主旋律。一是弘扬劳模坚定理想信念、以民族振兴为己任的主人翁精神；     

Introduction to queer circuits: Critical performance and digital praxis

This introduction situates the articles making up this special issue within four thematic clouds, positing queer theorization as broadly relevant for critically engaging with computational technologies and culture. These sub-themes offer suggestions for future queer inquiry and praxis and reflect key terms in performance studies and queer theory that have undergone transformation with the ubiquity of digital technology.     

Women,Science and Culture: Science in the Nineteenth-century Periodical

The Victorian periodical press offers unique insights into many diverse areas of nineteenth-century experience, and the complex relations between gender, science and culture in particular, yet it has been consistently marginalized as a primary resource in academic study. The Science in the Nineteenth-century Periodical (SciPer) project at the universities of Sheffield and Leeds is creating a new point of access to a wide range of non-specialist periodicals across the century by means of a fully searchable electronic index. By detailing the entire contents of each journal, and not just those articles that have a clear scientific relevance, it becomes clear that science formed a fundamental and integral part of nineteenth-century culture. The electronic index, moreover, will include hypertext cross-reference links that will allow the user to identify a dialogic pattern of encounters between ostensibly diverse articles, rather than only to browse in a simple chronological mode. By adopting this innovative approach, the SciPer database will reveal the manifold intertextual relations between the fictional works of women writers like Elizabeth Gaskell and the scientific articles that often appeared in the pages of the same magazines, and will show that writers of both sexes and across several different genres actively engaged in vibrant interdisciplinary debates concerning scientific issues in a forum provided by the periodical. Although the SciPer database itself is not specifically focused on issues of gender, the index will include several periodicals aimed explicitly at a female readership and, by providing access to titles still rarely utilized in modern scholarship, it will offer further insights into the important contemporary debates about women and science, as well as the more subtle ways, in which gendered imagery was employed within scientific discourse. This article details some critical findings from Punch , The English Womans Domestic Magazine , Cornhill Magazine and the Review of Reviews .     

The Liquefaction of Desire: Music,Water and Femininity in Victorian Aestheticism

This article reconsiders Victorian images of mermaids and sirens through a detailed examination of two images: Frederic Leighton's Lieder ohne Worte (1861, oil on canvas, Tate Britain) and Edward Burne-Jones's The Depths of the Sea (1886, oil on canvas, private collection). It demonstrates that the themes of water, music and femininity were entwined in the Victorian imagination, by setting these two paintings within the context of Victorian artistic, literary and cultural production. It shows that musical images were prevalent in the emerging Aesthetic movement. Musical subjects freed artists and audiences from the conventions of narrative interpretation, and allowed them instead to concentrate on exploring mood and colour.

Pictures of mermaids add a further twist to the Aesthetic preoccupation with music. This article reveals that mermaids made explicit the underlying connection between musical performance and sensuality. It also suggests that the idiosyncratic depiction of the mermaid by Burne-Jones and the ambiguous sexuality of Leighton's figures could be read as symptomatic of changing conceptions of desire. It argues that these images embodied the shift from ardour to libido. In other words, love was no longer described as burning and fixed, but as fluid and shifting. This transformation in the way desire was theorised was most urgently presented in Freud's Three Essays on Sexuality (1905). However, this article suggests that the same ideas were being made visible in Aesthetic art and writing from the mid-nineteenth century.     

Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice

This essay puts forward a notion of “raunch aesthetics,” theorizing raunch as an aesthetic, performative, and vernacular practice: an explicit mode of sexual expression that transgresses norms of privacy and respectability. Raunch aesthetics describe creative practices that often blend humor and sexual explicitness to launch cultural critiques, generate pleasure for minority audiences, and affirm queer lives. The author activates her formulation of raunch in analyzing Yo! Majesty, a hip hop group comprised of black female emcees who openly describe their sexual desire for women, and explores how the queer youth of color she works with have responded to their music. Working beyond the unexamined moralisms that give critiques of raunch culture their legitimacy, the author argues that Yo! Majesty's raunch aesthetics transmit queer and feminist teachings. While celebrating carnal pleasures, these artists critique heterosexism, subvert narratives about the incompatibility of belief in Christ and queer sexualities, and trouble notions concerning the emancipation of coming out of the closet and declaring a stable homosexual identity. In demonstrating how raunch aesthetics generate consciousness raising, the author discusses how her youth participants critically read and consume hip hop while negotiating unwieldy meanings of sexuality and gender presentation.     

Feminism, Aestheticism and the Limits of Law

This article seeks to identify and address the normative void that resides at the heart of postmodernist-feminist theory, and to propose a philosophical framework – beyond postmodernism, but incorporating its central insights – for thinking through the normative questions with which feminists are inevitably confronted in their engagements with positive law. Two varieties of postmodernist-feminism are identified and critically analysed: the ‘corporeal feminism’ of Elizabeth Grosz and Judith Butler, which seeks to ground feminist critical practice in the irruptive capacities of the material body considered as an arte fact of social construction; and the deconstructionist feminism of Drucilla Cornell, for whom ‘the feminine’ is an indeterminate but disruptive force beyond its construction in law and in other social sites. The first component of the argument elaborated here is that each of these approaches ultimately reduces to a form of aestheticism which is incapable of generating a worthwhile and workable feminist approach to the restructuring of politics and law. The second component of the argument involves a return to aesthetics, in particular to the philosophical aesthetics of Kant’s Critique of Judgement. Kant’s aesthetic philosophy, it will be suggested, yields a framework of concepts which, duly re-manipulated, could speak to the very concerns that have inspired postmodernist-feminism: how to attend to (bodily) particularity while avoiding the dangers associated with ‘essentialism’; and how to theorise the propensity of the unrepresentable power of the feminine to exceed both embodied human capacities and the confining rein of socially privileged rationalities. Crucially, however it also responds to a set of preoccupations – those of the feminist lawyer – that cannot be accommodated by postmodernism: how to translate embodied experience into (legal) norms; generalise from the particular; seek consensus; and codify an endless potentiality in the form of law. This revised version was published online in July 2006 with corrections to the Cover Date.     

The Unexpected: Bionic Woman at the Millennium

Wilfred Bion's A Memoir of the Future provides a point of departure for feminist thinking about the millennium. Bion problematizes hopes for the future and associates thought with catastrophic change. Women play an unexpected role in Bion's experimental autobiography, posing provocative questions and unsettling the status quo . Since Bion has little to say about women in his clinical writings, A Memoir sheds light on his thinking and on the post-Kleinian culture of the 1970s. Book I of A Memoir depicts a class- and sex-nightmare played out between men and women, and women and women, in an age of anxiety whose setting appears to be the fascist 'pacification' of Middle England during an unspecified period. In this hallucinatory drama, all encounters are reduced to a brutal fiction of dominance and submission. The violence of the action suggests the primitive mental world of psychosis. Book II of A Memoir satirizes 'the brilliance of masculine thought' through the voices and criticisms of women. But this is the purgatorial movement of Bion's autobiography, inhabited by 'idées mères' (untransformed beta-elements) and haunted by the ghosts of Bion's traumatic war-time experience. A monstrous plot is hatched to kill primitive, fascistic Man, who retaliates and takes the female spoils. Is this the prelude to catastrophic change? Book III stages a country-house debate between different characters who represent aspects of Bion's personality, recapitulating the concerns of his later writing. The debate includes a meditation on childbirth as compared to war trauma, but Bion takes his distance from feminine intuition or common sense. Women fight on both sides of the barriers in the Bionic revolution - becoming, however, figures for the 'unexpected' and precursors of emotional upheaval. The gendering of millennial thought in Bion's Memoir provides an opportunity to scrutinize our own unthought fantasies of change.     

The Between

Thinking with this special issue's group of feminist thinkers – some artists and others scholars – this introduction makes a strong case for co-authorship and a more collaborative humanities, while also insisting that the couple form – that stalwart object of queer and feminist theory – is neither a known quantity nor an exhausted entity, but rather, a field ripe for analysis. Situated squarely within performance studies, this introduction pivots away from questions of ontology and toward method and performativity, in order to ask: what modes of intellectual practice, erotic exchange, political work, and aesthetic experimentation happen uniquely within couple forms, in their most capacious and non-self-same iterations? What queer and feminist work can they do? What, in other words, is possible in the infinity, if indeed it is an infinity, between one and two?     

Guessing in the Gaps

The genesis of this conversation was the forthcoming new Penguin edition - under the general editorship of Adam Phillips - of the works of Freud. Mark and Phillips consider the concept of a 'literary' Freud alongside the 'scientific'or 'clinical' Freud, and discuss the related issues of translation, representation and interpretation, particularly as they bear on psychoanalytic writing. Adam Phillips's relationship to the institutions of psychoanalysis is considered, and the perpetuation of these institutions through the training of psychoanalysts and psychotherapists. Also discussed is the project of psychoanalysis: the nature of psychoanalysis as a therapy as well as a body of ideas. Mark and Phillips make reference to the work of Freud, Lacan, Klein, Winnicott and Laplanche, and to concepts such as the 'enigmatic signifier' and 'transgenerational haunting'.     

Other forms of conviviality: The best and least of which is our daily care and the host of which is our collaborative work

In this collaboratively written essay, artists Park McArthur and Constantina Zavitsanos take a queer materialist feminist approach to the entanglement of dependency and reproductive labor, disability, intimacy, and the impossibility of exchanging incommensurables. The text merges the authors' experiences receiving and providing one another care with their artistic practices, and includes instructive performance scores for past, rather than future, events.