原发性高血压患者颈动脉粥样硬化与中医证型的关系

目的:探讨原发性高血压患者颈动脉粥样硬化程度与中医辨证分型的关系。方法:用高频(11.4 MHz)彩色多普勒超声检测了130例原发性高血压及心脑血管并发症患者的颈动脉,与37例非高血压心脑血管病患者作对照。结果:高血压各组颈动脉内中膜厚度及斑块检出率均高于对照组,以合并脑血管疾病组内中膜厚度高于单纯高血压组。高血压中医证型之间比较,以痰湿壅盛型内中膜厚度明显高于其他证型,斑块检出率以阴虚阳亢和痰湿壅盛型明显高于其他证型。结论:高血压是引起颈动脉内中膜厚度增加的重要因素。颈动脉粥样硬化程度可作为预测心脑血管病存在的参考指标。动脉硬化的病因病机与痰、瘀密切相关。     

法官的困惑:在判决与执行之间--对一起案件的判决与执行的法社会学思考

一起案件,对不同的当事人送达不同的判决书,不仅仅是法律上的玩笑,它透视着传统法观念的影响.判决要合法是法治的根本要求,同时判决又要合理,以符合民众的法意识,情理法忽视程序法的价值,司法泛行政化,导致法设而不用,司法官自由裁量权过大.判决与执行之间必须有合理衔接才能达到司法的实效.执行要有可能性,又要有妥当性.传统社会的社会组织以及行政权的泛化对于执行有效性而言是值得思考、借鉴的.行政对司法不应干预,但应加以配合.因加强社会组织的作用,使司法不至于在传统现念与现代法律之间无法应对.     

浅谈中国画之"气韵"与"骨法"

中国画几千年的发展史 ,其实也是中国画论美学的发展史 ,前人之述备矣。南宋谢赫的《古画的品录》堪称经典著作。他提出的“六法” ,对中国画的发展与创作产生了深远的影响 ,其中“气韵”与“骨法”四字 ,见解精辟 ,高度概括了中国画的深邃博大和所要追求的崇高境界。     

傣族传统文化与生育行为现代化——以西双版纳傣族为例

常规的人口理论将"多生、男性偏好"视为在我国获得广泛社会认同的传统生育行为,但这一命题在西双版纳傣族中却得不到历史实证材料的支持。相反,傣民族的传统生育行为表现出"少生、无性别偏好"的"现代化"生育特征。     

反映傣族社会进化的原始历史意识案例——对傣族创世史诗《巴塔麻嘎捧尚罗》的分析

人类社会进化是人类行为导致的,这一行为是依据社会规则而发生的社会化行为。社会规则虽然来自于制度安排,但归根结底源于风俗习惯。人们根据什么是"可为的",什么是"不可为的"风俗,形成最初的行为约束,从而使个人利益整合为社会利益,产生社会行为与规则。《巴塔麻嘎捧尚罗》是长期流传于西双版纳傣族地区的贝叶经典籍,它记述了傣族关于天地形成、人类起源、文明进步、社会变迁的进程,是了解傣族社会进化与历史意识关系问题不可多得的材料。     

The cultural baggage of Khorezmian identity: traditional forms of singing and dancing in Khorezm and in Tashkent

After Uzbekistan gained its independence from Soviet rule, important political and economic changes took place. The mobility of the population has since then increased drastically and created new spaces for the negotiation of social identities as well as new strategies for identity politics among the culturally and regionally diverse population of Uzbekistan. This article aims to contribute to the discussions on social identity and its ‘contents’ in the light of migration processes. The main argument centres on the importance of what Barth called the ‘cultural stuff’ of social identities when maintaining boundaries during identification processes. The analysis focuses specifically on certain singing and dancing practices of Khorezmians. It shows how these practices survive, but are also transformed in the context of Tashkent, the capital city of Uzbekistan, where people from different regions reside together and are engaged in performing and presenting their own group identity in reference to ‘others’.     

近年来关于马克思主义整体性研究综述

从整体性角度解读马克思主义成为经济社会发展的要求。近年来，学术界围绕马克思主义整体性问题，主要阐述了传统马克思主义三分法的局限性、马克思主义与传统马克思主义“三分法”的关系以及对马克思主义整体性认识的代表性观点。     

Decentralization in Africa and the Resilience of Traditional Authorities: Evaluating Zimbabwe's Track Record

Abstract

This paper looks at one of the most important endogenous factors influencing the workings of decentralization in Zimbabwe. Successive waves of formal institutional change that took place during Zimbabwe's colonial and post-colonial history have been unable able to uproot the influence of traditional leaders. Due to their home-grown legitimacy, various traditional authorities continue to play an ever-present role in the lives of people in rural areas. But, as it is the case throughout most of Africa, the powers of traditional leaders have mostly been uncodified under modern law and these power relations tend to be rather informal and culturally inaccessible to most outsiders. Consequently, the scholarly literature has not been able to systematically acknowledge their pervasive influence. The article concludes with a reflection on how the influence of traditional authorities can be translated into the democratic and progressive empowerment of rural populations in the developing world.     

科学发展观对中国传统民本思想的继承与创新

以科学发展观“以人为本”为本质和核心,凸显了社会发展的价值取向和人性目的。科学发展观中的以人为本思想汲取了中国传统民本思想的精华,同时又结合现阶段中国社会实际,赋予发展理论全新的时代内涵和实践要求,实现了理论的升华和飞跃。本文从传统民本思想这一视角,深入分析了科学发展观的以人为本思想对中国传统文化继承与创新的具体表现。     

Post-colonial folk dancing: reflections on the impact of stage folk dance style on traditional folk dance variation in Soviet and post-Soviet Estonia

ABSTRACT

The focus of this article is on traditional folk dance in Soviet and post-Soviet Estonia. Dance variation is analyzed through the prism of postcolonial theories to reveal the sequential effects of the colonial situation developed during the Soviet period. Specific causes and characteristic traits of the Soviet influence are explored. Colonialist echoes of the Soviet regime within contemporary Estonian culture are reflected in two trends in the variation of traditional folk dance: first, “contamination” of traditional folk dance with stage dance elements promoted during the Soviet era and, second, a regular search for “genuine” folk dance as a reaction to Soviet colonial heritage.