《克丽丝德蓓》中的性别政治

美国学者凯特·米利特（Kate Millet）在她的著作《性别政治》一书中第一次明确地提出了性别政治的概念。米利特指出两性关系是一种统治与被统治的关系，即男性统治女性。这种权力结构长期以来被视为是理所当然的。《克丽丝德蓓》是英国浪漫主义时期诗人柯尔律治的三部代表作之一，长期以来在学术研究方面较少得到关注。《克丽丝德蓓》与作者其他两部代表作最明显的差异在于把历经磨难的主人公设定为一位柔弱少女。本文试图从男性作者视角的天使与魔鬼，男性力量的操纵与拯救和男性心理的公平与偏见等方面，阐释柯尔律治《克丽丝德蓓》中体现出的性别政治。     

"黑面纱"下的扭曲人性——试析霍桑的《教长的黑面纱》

美国作家霍桑在他的重要短篇小说<教长的黑面纱>中,通过描述胡伯牧师为掩盖其罪恶戴上黑面纱,以及教徒们对黑面纱的种种反应,告诉读者,每个人都有罪恶的念头、犯罪的冲动,都有不为人知的黑暗与秘密,哪怕是"圣洁的牧师",这是人性的阴暗面,是压抑与扭曲的结果.从社会历史背景、象征主义、浪漫主义等方面对该作中人性的扭曲与阴暗的有关...     

论森鸥外的早期文学创作——对生命价值的探求与“告白”

森鸥外留学德国,潜心于卫生学、军医学、文学、哲学、美学、艺术的研究。回国后,积极开展社会启蒙与文明批判,在西方哲学中寻求审美与人生的价值,发表了浪漫的青春三部曲———《舞姬》、《水沫记》和《信使》,其作品表现出来的近代性和浪漫性开日本浪漫主义文学之先河,为日本近代文学的确立打下了坚固的基础,是研究日本近代文学不可忽视的重要内容。     

弗莱诗学的浪漫主义追求

浪漫主义研究在弗莱的诗学体系中占据中心地位，是弗莱诗学的基本追求。弗莱认为浪漫主义文学是通过对前浪漫主义文学中原型体系的置换和再创造，实现以新的人学“神话体系”来改造传统神学“神话体系”的文化革命。以浪漫主义诗人威廉·布莱克为个案，弗莱详细阐释了布莱克的诗歌如何在颠覆传统圣经理解的基础上，通过置换圣经神话的叙事结构和原型意象，再创造了一部“地狱的圣经”。     

黑格尔悲剧理论的社会思想基础

18世纪的德国，温和的自由主义思潮、浪漫主义化的民族主义思潮以及浪漫主义化的保守主义思潮，深刻影响了德国历史文化的发展进程。黑格尔的悲剧理论深深植根于18世纪后期、19世纪前半期的德国乃至欧洲的历史文化发展过程中，和这三股思潮的发展紧密联系在一起。     

作为一种集体记忆的浪漫主义——对浪漫主义的文学人类学解读

18世纪晚期,浪漫主义应对理性的危机应运而生.它从批判理性和对美的最高设定两个方面出发,借助于恢复人类的艺术信仰、解放人类的原始感情以及回归人类的原始本能,来纠正人类自身的失衡和畸变.它改写了人类片面和极端崇拜理性的历史,以自然、神话、民间文学等为武器建构了人类的审美的集体记忆.     

The Outer Limits of Copyright Law – Where Law Meets Philosophy and Culture

This article engages in a cultural critique of copyright law. The point is to explain how and why this body of law is culturally exclusive, notwithstanding the claims made by judges and others that the law is culturally open and inclusive. This involves a discussion of the relationship between philosophy and law, and of how this nexus has been misrepresented by the courts and in recent writings on the subject. Analysis centres on a discussion of Australian case law involving indigenous claims of communal ownership of copyright and the treatment of technology when it comes to attributing authorship.     

Raymond Williams,Romanticism and Nature

This article discusses the important British social, literary and cultural critic, Raymond Williams, in his relation to Romanticism, seen as a broad movement of protest expressed in many cultural fields against the conditions of life in capitalist modernity. After exploring the Romantic dimension of Williams’s major works, including Culture and Society [Williams, Raymond. 1958. Culture and Society, 1780–1950. New York: Harper & Row], The Country and the City [Williams, Raymond. 1973. The Country and the City. New York: Oxford University Press] and several works of the 1980s, the article focuses on his trajectory from the ecological point of view, in terms of his attempts to deal with cultural attitudes towards Nature on the one hand and threats to the environment on the other.     

浪漫主义的多重二律背反现象探究

浪漫主义是对现代性的第一次反叛,它以生活世界的审美化和个体生命的诗意化对启蒙现代性进行反思批判和超越,使其在理论诉求和艺术实践中呈现出个人主义与人道主义、贵族精神与平民意识、彼岸与此岸、伦理主义与历史主义、感性与理性、理想与现实、自我与社会等多重矛盾性。究其原因,这是浪漫主义自身所固有的两面性决定的,即它一方面是理性、启蒙、文明进步等现代观念的推进,而另一方面,当上述观念成为新传统和新神话时,它又反戈一击,对这些新传统和新神话展开强烈的批判。正因为浪漫主义自身具有多重二律背反现象,才显示其内涵的丰富和庞杂,并且作为一个重要的美学范畴和一股重要的文艺思潮持续产生深刻的影响。     

Rabindranath Tagore and the Aesthetics of Postmodernism

Skeptical postmodern claims about the viability of authorship and meaning in literature are contrasted in historical persepective with Rabindranath Tagore's views on the power of literary art to illuminate reality and enrich feeling. Consequences of postmodern methods and theories are explored with reference to his defense of art and life as a unity that entails unique knowledge and insight. Although influenced by Western culture, he distrusted theory applied to art. For him, durable meanings are an imperative of life for which literature is a vehicle. A post-Nobel Prize attempt to promote Eastern wisdom as a corrective to Western rationalism and materialism did not succeed.